Why bitchy 'fanboys' are the film fan equivalent of Bill Kristol.

I'm not going to get into the misogynistic aspect of the trolling centered around a few on-set photos of Shailene Woodley from The Amazing Spider-Man 2.  To those saying that she's not 'pretty enough' to be Mary Jane Watson, I'll simply extend a hearty 'f*ck you' and merely offer to be, wedding vows and relative current marital bliss aside, the next guy in line at the bar after you turn down her advances. But while others will justifiably focus on the offense at the trolling of a young actress having the gall to walk around without make up, I'd like to offer a bit of silver lining to this whole affair.  Now thanks to the Internet trolling, I can absolutely guarantee that not only will Shailene Woodley be insanely attractive as Mary Jane Watson in The Amazing Spider-Man, but she will also be a terrific character, in terms of acting and all of that 'less-important' stuff too.  Why do I know this?  Because the trolling fans have told me otherwise.  Trolling fans have been around for as long as I can remember.  And they have become the Bill Kristol of film fans.  They make noise, they attract attention and 'serious discussion', and they are always always wrong.

Daniel Craig doesn't deserve a raise for The Girl Who Played With Fire because Daniel Craig is not a box office draw...

This one is pretty simple.  Daniel Craig allegedly (Hollywood Reporter) wants a raise for his appearance in Sony's planned The Girl Who Played With Fire.  Sony is refusing and may even be trying to wrangle a pay cut.  Sony is allegedly digging its heels out of the desire to cut costs, as the first film grossed $232 million worldwide yet still barely broken even due to its frankly absurd $90 million budget.  Had the film cost a more reasonable $60-$70 million, it would have been quite profitable for Sony.  But it didn't so it wasn't.  If we must see the two other chapters in the original series, then they damn-well shouldn't cost nearly $100 million apiece. You could argue that Rooney Mara is an essential component of any sequel and should be hired even at a token higher cost this time around.  But everyone else involved is expendable.  Daniel Craig, whose character was as bland a male lead as you can ask for, is not a box office draw, period. If Sony sees fit to write out his journalist protagonist, I imagine it won't affect the film's financial fortunes one iota.  Daniel Craig is one of countless actors who do just fine in a marquee role or a popular franchise but flounder elsewhere.  If Daniel Craig wants a raise from Sony, he is welcome to ask for one for the next James Bond film.   But outside of the 007 series, Daniel Craig isn't a box office draw, period.

Skyfall has crossed $300 million domestic! A closer look sees James Bond near the top of the action-film record books.

Sony is reporting that Skyfall grossed $260,000 yesterday, which was just enough to put its domestic total over the magic $300 million mark.  Putting that in perspective, this means that Skyfall has nearly doubled the previous domestic-best gross of the 007 series, the $168 million grossing Quantum of Solace and the $167 million-grossing Casino Royale.  Now that it's theatrical run is pretty much finished (it's got $5 million left in the tank, at the absolutely most), let's look at how it did in the grand scheme of things.  Even when adjusted for inflation, the film is the third-biggest domestic earner in the series, surpassing the adjusted-$279 million gross of You Only Live Twice ($43 million in real 1967 dollars) and hanging out below only the $515 million-grossing Goldfinger ($51 million in 1964) and the $585 million-grossing Thunderball ($65 million in 1965). It's the biggest-grossing spy film of all time and the highest-grossing non-fantasy action film of all-time.  Even when playing the inflation card, it's the sixth biggest spy movie ever, behind the aforementioned 60's 007 films, Mission: Impossible II ($310 million adjusted gross/$215 million actual gross) Austin Powers: The Spy Who Shagged Me ($315m/$205m), and the first Mission: Impossible ($318m/$181m).  If you factor in pretty much every remotely recent non-fantastical/non superhero action franchise, it still ends up with more tickets sold than all but the likes of Beverly Hills Cop ($522m/$234m), Rambo: First Blood Part II ($329m/$150m),  Rush Hour 2 ($310m/$226m), and Beverly Hills Cop II ($305m/$153m).  

Weekend Box Office (11/18/12): Twilight Saga: Breaking Dawn 2 scores $141m while Lincoln impresses with $21m.

The Twilight Saga ended as it began, kicking James Bond's ass to the curb with a massive opening weekend.  The fifth and final Twilight film debuted with $141 million over the weekend.  That's a touch higher than the $138 million debut of Breaking Dawn part 1 and just under the $142 million opening of New Moon over this weekend in 2011 and 2009 respectively, but we're still talking the kind of consistency that the Saw franchise would envy.  There are just ten films that have opened above $135 million and three of them are Twilight films.  Twilight 2, 4, and 5 now holds the 7th, 9th, and 8th biggest opening weekend respectively. Yes it was possible that Breaking Dawn part 2 (review/essay) would get a sort of series finale-bump over opening weekend, but in retrospect it was not entirely realistic.  This series frankly only plays to the fans at this point, with even casual fans coming out on opening weekend.  This isn't a series like Harry Potter, where fans who maybe missed an entry or two along the way and/or saw the prior films in theaters later in their respective runs rushed out to catch the finale on opening weekend.  If you wanted to see the newest Twilight, you were probably a hardened fan who absolutely ventured out on opening weekend every time.  So yeah, this isn't a series that gained new fans after the second installment so there wasn't much room for growth even for this caper (it played 79% female and 50% over 25 years old).  There also isn't much to discuss in terms of domestic totals.  The series has infamously short legs, and so it's probable that the picture did 50% of its business already.  So let's presume a $285-295 million domestic total.  Worldwide, the film has already grossed $340 million globally putting it on track to equal the over/under $700 million totals of the last three pictures.  

Fail after Fail: Thoughts on Skyfall upon a second viewing.

Spoiler Warning is in place, but my non-spoiler review is HERE...

For reasons mostly involving time and other responsibilities, before last night I hadn't seen a film twice in theaters since June 2008.  Even that last occasion was merely a matter of happenstance, as my father was in town and he hadn't seen Indiana Jones and the Kingdom of the Crystal Skull yet.  I grew up with the Lucasfilm universe, so it seemed only appropriate, and a good time was had.  Anyway, last night I saw Skyfall for a second time, as my wife was unable to attend last month's press screening and we had a free evening (it was also about trying out a new theater, but that's the next essay).  Unfortunately a second viewing only heightened the film's major flaws.  Even my wife, who hadn't read my review yet, whispered to me around thirty-minutes in and said "We get it, Bond is *old*!" after which we proceeded to take a pretend shot every time someone made a reference to age or old vs. new.  By the hour mark, we both had pretend alcohol poisoning.

Despite Skyfall's regressive sexual politics, Bond Girls have been "Bond Women" since, oh... 1987.

Spoiler warning for Skyfall (non-spoiler review HERE)...

As happens every time a new 007 film opens, pundits and critics are generally quick to point out how this new 007 picture has one of the very best 'Bond girls' ever.  Oh this time she's strong, independent, able and willing to hold her own with James Bond, and not merely there to be a sex object.  So if critics pretty much say that nearly every time, at what point do we have to acknowledge that the meme of the helpless and useless Bond Girl is mostly a myth.  To put it simply, many of the so-called Bond Girls were, if not champions of feminism, presented as mostly capable and independent characters who happened to be obscenely attractive and (often improbably) attracted to Mr. James Bond.  From Dr. No onward to Skyfall, the hapless sex object who exists purely to be ogled and bedded is more exception than rule.  And quite frankly, over the last 25 years (or after Roger Moore left), almost every major 'Bond Girl' was a relatively well-developed character or at least played an important role in the story.  Ironically, perhaps in a misguided attempt to appease the fans, the treatment of women in Skyfall is actually comparatively regressive.  In short, it takes the series back to a certain misogynistic mindset that hasn't been prevalent since the Connery years.

Weekend Box Office (11-11-12): Skyfall opens with $90 million while Lincoln earns $900k on 11 screens.

Opening with a flurry of positive buzz and already-cemented megahit status overseas, James Bond finally returned to US theaters this weekend with San Mendes's Skyfall (review 01/review 02).  The film easily crushed the opening weekend record of the 007 series, earning a massive $90 million in its debut.  This also includes $2.2 million earned via its Thursday IMAX-only release, as the film earned $13.1 million in IMAX theaters since Thursday (the large-scale format's biggest non-summer opening ever).  The picture played 60% male and 75% over 25-years old. For comparison, the last six 007 films had the six biggest weekends of the franchise, with Pierce Brosnan's GoldenEye moving 007 into modern-day blockbuster territory back in 1995.  For the record, the numbers are $26 million (GoldenEye), $25 million (Tomorrow Never Dies), $35 million (The World Is Not Enough), $47 million (Die Another Day), $40 million (Casino Royale), and $67 million for Quantum of Solace four Novembers ago. Not only is this the biggest opening weekend for the 007 series by a long shot, it eclipsed the opening weekends of all but the last four series entries by the end of Friday (if you want to play the inflation card, it still eclipsed the openings of all-but the last six entries by the end of Friday). Even though the overall consensus on Quantum of Solace was mediocre, four years of waiting but an ability to market Skyfall using the whole "50 years of Bond" angle made this one just as much of an event, if not more so, than the last few entries.  

Friday Box Office: Skyfall does $33 million on opening day (s).

Oddly enough, despite the four years of hype and anticipation, plus the IMAX sneak-peak and respective price bump, Skyfall earned just a bit more than Quantum of Solace on its first Friday.  With $33 million in the bag (including its $2.2 million Thursday IMAX sneak day), it's just above the $27 million debut for Quantum of Solace.  Adjusted for inflation and the IMAX price bump, it barely sold more tickets.  On the plus side, this new entry is likely to have much better word of mouth and thus insure a larger multiplier both for the weekend and for the long-game.  I don't have much time so I'm going to make this quick.  The weekend multiplier comparisons are the last six 007 films, basically everything since 1995 when Pierce Brosnan kicked the films into the blockbuster age with GoldenEye back in 1995.  GoldenEye debuted with $26 million off a $8 million* opening day (3.25x) while Tomorrow Never Dies earned $8 million* on its first day heading towards a $25 million debut (3.125x).  The World Is Not Enough earned $12 million towards a $35 million opening (2.9x) while Die Another Day opened with $16 million towards a $47 million opening weekend (2.9x).  Casino Royale opened with $14 million and closed Sunday with $40 million (2.85x) while Quantum of Solace debuted with $27 million and closed the weekend with $67 million ($74 million adjusted for inflation and a 2.4x weekend multiplier).  Thus assuming the mostly disliked Quantum of Solace was a fluke (it dropped a bit on Saturday) but acknowledging a more front-loaded marketplace, we're looking at something between 2.6x and 2.9x for the weekend.  Thus Skyfall could open with between $86 million and $95 million for the weekend.  Obviously we'll know for sure tomorrow...

Scott Mendelson

*The opening days for GoldenEye and Tomorrow Never Dies are estimates based on my recollection, as I can't find opening day figures.  Alas ShowbizData doesn't allow you to dig into their daily box office archives.

IMAX and midnight box office: Skyfall has $4.6 million so far. Can 007 top $100 million for the weekend?

While I am all in favor of major films doing advance IMAX-only releases, MGM and Sony's decision to open Skyfall a day early in IMAX makes the numbers a little tougher to analyze.  For the record, the 23rd official James Bond adventure earned $2.2 million on Thursday playing in 463 IMAX engagements.  The only real plausible comparison is Mission: Impossible: Ghost Protocol which opened five days early on 425 IMAX screens and earned $4.1 million on its first Friday of such play.  In addition, Skyfall earned another $2.4 million in wide-release midnight showings (a large chunk of its 3,500 screens), bringing its gross to $4.6 million before 'regular business hours'.  That extra day of IMAX-only play, along with the fact that Monday is a holiday for most schools and many businesses, makes the math a little more speculative, but no one said this is an exact science, so let's dive in!  

Guest (mini) Review: Brandon Peters reviews Skyfall (2012)

Skyfall

2012

143 minutes

Rated PG-13

By Brandon Peters

Skyfall switches gears for Daniel Craig’s third dabbling in the role of 007.  The film is akin to GoldenEye’s answer to License to Kill if comparing to the series cannon.  While not going too far over the top, Skyfall does jump over the limits set by its two predecessors and enters into more familiar and common Bond territory.  This is going to be rather brief in terms of what I’ve been writing; Scott has covered a lot of ground I may have covered  as I didn’t read his review until after my viewing.  And for the most part I agree with all his points.  I’d rather not cover the same ground twice (editor's note: there's plenty new to chew on here). I don’t seem to mind the borrowing from other films especially when they are actually enhancing the themes and devices and making stronger renditions of them.  One theme not brought up which I felt was more front and center than the revised GoldenEye was trust and learning to deal with trying not to take judgment calls for the greater good personally.

Skyfall spoiler discussion thread...

If you're among the lucky ones who have a nearby IMAX theater, today is the opening day for Skyfall.  As such, here is the official place for readers who want to gab about the film, spoilers-and-all, to their heart's content.  I may have a spoiler piece on Monday or Tuesday while I'm hoping Brandon Peters gets a chance to see the film this week and deliver a review, but that's depending on his schedule.  But for the meantime, have at it below, folks.  If you've seen it, what did you think?  Did it live up to the hype?  Did it work for you as well if not better than it worked for me?  While you're hopefully gabbing below, check out this well-written piece that serves as somewhat of a rebuttal to my review.  I'm actually going to probably see the film again a week from Friday, as my wife couldn't make the press screening (making it the first film since Indiana Jones and the Kingdom of the Crystal Skull that I've seen twice in a theater).  But I'm rambling and it's your turn to ramble.  I'm off to write my Lincoln review for tomorrow.

Scott Mendelson

Skyfall (in wide release) vs. Lincoln (in limited release) in the weekend movie preview.

Skyfall is the 23rd James Bond film, and the third to feature Daniel Craig as super spy 007. Craig began his run with the 2006 release Casino Royale, having taken over from Pierce Brosnan. After finishing up work on Die Another Day, Brosnan was unsure if he would return a fifth time as he feared he would begin to be compared to Roger Moore's older turn as Bond, which had proved unpopular with some fans. Despite this, the public were still supportive of him playing Bond again and negotiations began early 2004 for Brosnan to reprise the role. But by the middle of that year, amid rumors that MGM/EON had hinted they were looking for a younger actor to play Bond (something they denied at the time), Brosnan announced he wasn't coming back. Rumors continued to persist until February 2005, when the star publicly announced he was finished with the character. The search for a new James Bond was on. While many names were bandied about, including Eric Bana, James Purefoy and Clive Owen (who clashed over contract details), it was Daniel Craig who was triumphant. In comparison to others mentioned, Craig was something of an unknown, having made his name on stage, rather than screen, though he had had a number of prominent roles before coming to Bond, including the first Tomb Raider movie, Road to Perdition and Layer Cake, the flick  rumored to have been an influence on him getting the Bond gig. EON officially announced the actor as the new James Bond in October 2005, and while public support wasn't overwhelming, each of the previous Bond players voiced their approval.

Weekend Box Office (11-04-12): Wreck It Ralph sets a Disney animation record while Flight soars to $25 million on just 1,844 screens.

The holiday season started off with a bang this weekend, with three major openers, all of which over-performed or opened within reasonable expectations.  If Wreck It Ralph's (review) estimate holds, it will have the biggest three-day debut for a non-Pixar Disney cartoon ever.  Believe it or not, a regular Disney toon has never opened at or above $50 million over a Fri-Sun period.  To be fair, The Lion King's $42 million debut back in June 1994 would equal around $75 million today and Tangled earned $48 million on the Fri-Sun portion of a $67 million five-day Thanksgiving opening.  Still, with $49.1 million, Wreck It Ralph managed to top every non-Pixar animated feature that has opened in this holiday kick-off spot save Madagascar 2's $63 million opening in 2008.  It opened higher than A Shark Tale in 2004 ($47 million), Chicken Little in 2005 ($40 million), Flushed Away in 2006 ($18 million), Bee Movie in 2007 ($38 million), A Christmas Carol in 2009 ($30 million), Megamind in 2010 ($45 million), and Puss In Boots in 2011 ($34 million over Halloween weekend and another $33 million over this weekend last year). Inflation and 3D-bumps aside, this is a strong debut for a rather crowd-pleasing cartoon that should play well for the rest of the month even with heavy competition in three weeks from Dreamworks' Rise of the Guardians.  Like pretty much every major Disney cartoon since Bolt four years ago, this film is being touted as Disney's return to glory, but merely doing the numbers means that the Mouse House has a pretty big hit on their hands.

James Bond 007: Movie Deathmatch

This a very cool little video pitting Bond against Bond.  I completely admire its extremely unbiased approach (SPOILER: Connery doesn't always win).  Bravo to whoever put this together as it plays rather seamless.  Its short, but I could have enjoyed probably 20 minutes of this.  Skyfall opens Friday November 9th in the states and I'm rather excited for it.  Hopefully I'll be able to catch it in IMAX.  Scott's already seen it and you can find his thoughts here.  

If you've got any cool (well-made) Bond videos like this you'd like to share, feel free to throw them my way.  I'd enjoy seeing them.  Thanks to Ty for bringing this to my attention.

Brandon Peters

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Weekend Box Office (10-28-12): Skyfall kills overseas as Argo tops four weak new releases.

There were four wide releases opening domestically this weekend and not one of them made any real impact at the box office.  The big news was the overseas debut of Skyfall (review) which opened in the UK two weeks ahead of its US debut.  The 23rd official James Bond film earned a massive $77 million in the 25 markets it debuted in.  The film earned a massive $32 million in the UK alone, for the second-biggest UK debut weekend of all time, behind the 3D-enhanced Harry Potter and the Deathly Hallows part II.  It earned far more initially than Casino Royale ($21 million) and Quantum of Solace ($24 million), setting the stage for a massive US debut and what will surely be the biggest 007 film yet domestic and worldwide.  I don't think it's the best 007 film or that it should be an Oscar contender, but it's a darn good movie and anyone merely wanting a top-flight bit of action will be thrilled with this entry.  I can't imagine it not opening huge and playing for a rather long time, especially as it will be unopposed in the mega-blockbuster department (Twilight Saga: Breaking Dawn II will play exclusively to its fanbase, massive as it is) for a month until The Hobbit part 1 of 30 opens on December 14th.  

Review: Skyfall (2012) delivers the 007 goods (if not greats).

Skyfall

2012
143 minutes
rated PG-13

by Scott Mendelson

Taken on its own, Skyfall is an exciting and relentlessly entertaining action thriller.  It is strongly acted by a game cast, has sharp dialogue, a stunning visual palette, and several engaging action sequences.  But taken as the twenty-third entry in a long-running franchise, one must acknowledge that it is less an original take on the iconic hero than a mix-and-match from several past films.  But what prevents the film from attaining greatness is the unsure tone and what feels like periodic pandering to the fans.  Seemingly stung by the (grossly unfair) reception to Quantum of Solace, Sam Mendes and company feel pressured to include certain franchise elements that periodically clash with the Bond film they clearly want to make.  More troublesome is the film's theme, which takes a offhand few moments in GoldenEye ("Is Bond still relevant in the modern era?") and attempts to fashion an hamfisted entire narrative out of it, complete with enough on-the-nose monologuing to make Chris Nolan blush.  What hampers the unquestionably engaging and ambitious film is the sense that we're drudging along recycled territory.

Brandon Peters's 007 series retrospective final analysis part 2.

This is the end.  Hold your breath and count to ten.  After three months of extensive and rather superb retrospective reviews of every single 007 film that's been currently released since 1962, it all comes down to this.  What follows below is Brandon Peter's final analysis, split up into two sections. Part one is HERE.  Part two is a critical ranking of every single film, complete with links to his respective essays, so you can all argue in the comments section.  Following that is my actual review of Skyfall, which I saw on Monday night was holding off on reviewing until Brandon had his say on all that had come before.  Expect said review to drop later this afternoon.  And yes, once Brandon sees Skyfall (hopefully in IMAX, as it really should be seen in said format), he will offer his take on this site as well.  But for now, let's all dive in and see how the chips fall.  As always, share your thoughts in the comments section below (for what it's worth, I rather agree with probably 90% of the rankings, at a glance).  At the very least, you should give him a hearty thanks for crafting this rather fantastic ongoing series.  We look forward to whatever Mr. Peters decides to contribute from this point on and look forward to his adventures in the Great Valley.

Brandon Peters's 007 series retrospective final analysis part 1.

This is the end.  Hold your breath and count to ten.  After three months of extensive and rather superb retrospective reviews of every single 007 film that's been currently released since 1962, it all comes down to this.  What follows below is Brandon Peter's final analysis, split up into two sections.  Part one, which deals with favorite characters, favorite villains, and the like, is below.  Part two, which is a critical ranking of every single film, will hopefully follow in the next couple days.  Following that is my actual review of Skyfall, which I saw on Monday night but am holding off writing about until Brandon finishes his series.  And yes, once Brandon sees Skyfall (hopefully in IMAX, as it really should be seen in said format), he will offer his take on this site as well.  But for now, let's start the end game for this epic 007 retrospective.  As always, share your thoughts in the comments section below.

Brandon Peters dissects the 007 series part 22: Quantum of Solace.

With Skyfall dropping in theaters in just a couple weeks, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the twenty-second entry, with a full review of the inexplicably maligned Quantum of Solace. I hope you've enjoyed what is a pretty massive feature leading up the November 9th release of Skyfall, because, to quote Adele, this is (nearly) the end. Without further ado...

Quantum Of Solace

2008

Director:  Marc Forster

Starring:  Daniel Craig, Olga Kurylenko, Mathieu Amalric, Gemma Arterton, Judi Dench, Jeffrey Wright

Rated PG-13

Take a deep breath, you only got one shot, make it count.

                        ~James Bond

STATS

Kills:  17

Bond Girls:  Camille Montes, Strawberry Fields

Car:  Aston Martin DBS V12

Locales:  Siena, Haiti, Austria, Bolivia, Russia

Odd Villain Trait:  Elvis, tall and has a wig that makes him look rather silly

Song:  “Another Way to Die” performed by Jack White & Alicia Keyes

Quantum of Solace (QoS) is considered the first ever direct sequel to a Bond film, starting up moments after the closing events of Casino Royale.  One could argue this untrue as Diamonds Are Forever picks up right where On Her Majesty’s Secret Service left off.  Going further, Dr. No through to Diamonds (minus Goldfinger) all carry along Bond’s battle against SPECTRE.  While calling it a direct sequel is the easiest way to spin it, the two films are more closely tied than any previous two films.

Brandon Peters dissects the 007 series part 21: Casino Royale

With Skyfall dropping in theaters in just a few weeks, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the twenty-first entry, with a full review of arguably the best film in the franchise, in terms of pure objective quality, Casino Royale. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it. But just because I'm stepping aside doesn't mean you should. Without further ado...

Casino Royale

2006

Director:  Martin Campbell

Starring:  Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright, Giancarlo Giannini

Rated PG-13

Now the whole world's gonna know that you died scratching my balls!

                        ~James Bond

STATS

Kills: 12

Bond Girls:  Vesper Lynd, Solange Dimitrios

Car:  Bond wins an Aston Martin, but the mission gives him an Aston Martin DBS V12

Locales:  Madagascar, Bahamas, Montenegro, Venice

Odd Villain Trait:  Le Chiffre has a scar on his eye and weeps blood from it

Song:  “You Know My Name” pefromed by Chris Cornell

Casino Royale is an absolute masterpiece in the 007 series.  The film is top notch big budget entertainment and one of the best reboot films ever created.  One could argue that this isn’t the first time the series has been rebooted.  Every time a new 007 take the role, it could essentially serve as a new start to the series (minus On Her Majesty’s Secret Service).  Following the ridiculousness of Die Another Day, Eon decided to rid itself of that era and start anew, grounding James Bond and focusing on physical effects and stunts.  What hasn’t been said about this movie already?