Showing posts with label Margin Call. Show all posts
Showing posts with label Margin Call. Show all posts

Friday, December 30, 2011

2011 year-end wrap-up part VI: The 'Best' films of the year.

Here is the sixth (and probably final) essay detailing the year in film.  This time, it's the best of the best.  Of course 'best' is a subjective term, so you might want to consider these my 'favorites'.  Despite what everyone likes to whine about at the end of every year, 2011 was in fact one of the better years in a good long time.  Maybe it was the effects of the 2007 WGA strike wearing off, maybe it was just dumb luck, but on the whole, movies, especially mainstream movies, were pretty on-spot more often than they weren't.  But just as important, most of the year-end Oscar bait was actually quite good, so this is a year where I don't have to half-heartedly apologize for having a list filled with movies nobody saw and mainstream pictures that no one admits to liking. Even if it took 1/3 of the year to really get cooking, 2011 was an uncommonly solid year for all forms of cinematic entertainment.  And of course, there are at least a few films that might have made the cut if they hadn't come out so close to the end of the year (mainly A Separation, Shame, and Pariah).  But they merely become contenders for the 2012 Black Book award (IE - great films that you saw too late to include in your best-of list, named after  Paul Verhoeven's fantastic 2006 World War II thriller that I saw in mid-2007).  And thus, without further ado, here are the very 'best' films of 2011.  As always, the list will be alphabetical order, with a final paragraph at the end for my very favorite film.


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