Review: Beautiful Creatures (2013) is *almost* fantastic.

Beautiful Creatures

2013
129 minutes
rated PG-13

by Scott Mendelson

So much of Beautiful Creatures (trailer/banner) is so unexpectedly terrific that it's almost a tragedy when the picture eventually falls victim to its own plot.  For the 80-minutes or so, the film is warmly engaging, alternating between scenery-chewing camp from the adults and genuinely emotional pathos from the kids, anchored by fine acting and surprisingly clever and authentic dialogue throughout.  The romantic leads (Alice Englert and Alden Ehrenreich) have undeniable charm and chemistry while the likes of Jeremy Irons and Emma Thompson relish the inherently goofy nature of this material while still pulling back when required.  The film paints an evocative picture of life in a dead-end fundamentalist American small town and is unapologetic about depicting some unpleasant sides of religious fundamentalism.  But while the film outright soars when  it focuses on character and human interaction, it cannot withstand the weight of its own overly contrived mythology.  The deeper the film gets into its central conflict the more of a mechanical plot exercise it becomes.  So superb is the first 2/3 of Beautiful Creatures that I felt genuine disappointment when the film flubbed the landing, ending itself in the territory of merely 'very good'.

Brandon Peters retrospective review: Die Hard 3 (1995).

It's time for another comprehensive franchise discussion from Brandon Peters, this time centering around the February 14th release of A Good Day to Die Hard.  As such, the third film on the list is obviously Die Hard: With A Vengeance.  Brandon, myself, and the OutNow Podcast crew did a commentary for this picture a few weeks back which just posted yesterday, so if you want a truly exhaustive and time-consuming look at the film, double-dip accordingly.  But I will say that the film's esteem has grown very much over the last 18 years, so the point where it's no longer scandalous to admit that you like it as much or more than the original.  In that sense, it's the Indiana Jones and the Last Crusade of the series.  I'll leave the floor to Brandon once again...

DIE HARD WITH A VENGEANCE

1995

Director:  John McTiernan

Starring:  Bruce Willis, Samuel L. Jackson, Jeremy Irons, Graham Greene, Colleen Camp, Larry Bryggman, Sam Phillips, Kevin Chamberlin

Rated R

Wait a minute. You mean to tell me I'm in this shit 'cause some white cop threw some white asshole's brother off a roof?

                        ~Zeus Carver

After a five year hiatus, Die Hard roars back…with a vengeance (*sigh* I tried, but I couldn’t resist).  And that’s literally the title.  John McTiernan resumes directorial duties and returns the franchise to the fresh original and fun that infused the original entry.  The film was a big success and went on to become the highest grossing in the series and the highest grossing film worldwide in 1995.  Instead of following the sort of “Die Hard formula”, McTiernan opens it up instead of keeping it closed in.  New York City becomes John McClane’s playground this time around.  Early on, the plans were for it to either happen on a cruise ship (that script later became Speed 2: Cruise Control) or the Los Angeles subway system.  Both ideas were scrapped for a hot script called Simon Says.  Simon Says had already been turned to down by the Lethal Weapon franchise for their third entry.  McClane was added and the script was infused with Die Hard and became Die Hard: New York.  Later as we know, the title became Die Hard: With a Vengeance.

When the words don't match the face: Beautiful Creatures banner poster brings to light a poster art pet peeve.

This is a perfectly satisfactory billboard poster for the upcoming Beautiful Creatures.  It has its title, its release date, a tagline, and a roll-call of the elder vets and younger newbies (plus young vet Emmy Rossum) that will play in the southern gothic supernatural sandbox.  Everybody looks snazzy and it's a solid sell.  There's just one annoying problem.  They are exactly 1 for 7 when it comes for accuracy of labeling.  I've known Jeremy Irons as an actor for thirty years and I know he doesn't look like some kid aiming to be the next Robert Pattinson.  And I've had a thing for Emmy Rossum since her Mystic River/Day After Tomorrow/Phantom of the Opera break-out led to a near-decade of relative obscurity before bouncing back on Showtime's Shameless.  She does not look like a younger variation on Michael Angarano.  And while I don't know offhand who Thomas Mann is, I know he probably doesn't look like a dead-ringer for Viola Davis, who in turn is not the young Caucasian girl at the center of the poster.  By random chance, Emma Thompson is actually correctly labeled.  But the rest are all very wrong.  Yes I get the poster design, which puts the young girl at the center and then slowly branches out with the various forces of good or evil that will try to influence her destiny (IE - evil Emmy Rossum versus good Emma Thompson or something like that).  But any number of posters that screw this up in any given year don't even have that excuse.

Beautiful Creatures gets a new poster, a new release date, and a new plot-heavy second trailer.

What's interesting about this second look at what is arguably the first of the new wave of 'next Twilight/Hunger Games' franchise-starters is that it sells itself as a story specifically centered on a young girl in the South who is fought over as a result of her supernatural powers and her would-be destiny.  When I wrote about the wave of female-centric young-lit adaptations a couple months ago, I was informed that this movie, or at least the book that it's based on, is actually told from the boy's point-of-view.  You wouldn't know it from this trailer.  And I would argue that it is almost noteworthy that Warner Bros. is trying to trick audiences into thinking that it's a female-pov story.  Anyway, marketing gimmicks aside, this still looks like a solid piece of supernatural hokum.  Come what may, the cast (Jeremy Irons, Emma Thompson, Viola Davis, Emmy Rossum) should be more than enough to do the heavy lifting if the young kids (Alden Ehrenreich and Alice Englert) can't pick up the slack (not presuming they can't of course, Ehrenreich was fine in Francis Ford Coppola's Tetro).  The "big" news is that it's been moved one day up to February 14th, and it's clear that Warner Bros. wants this to be the date-movie of choice for those otherwise uninterested in yet-another Die Hard film.  Will it work?  Depending on how cheap this one was, it may not matter.  Valentine's Day/President's Day weekend is a holiday weekend where a number of big films can flourish alongside each other (witness 2010, where Valentine's Day, Percy Jackson and the Olympians, and The Wolfman all opened to over $30 million).  Anyway, Beautiful Creatures opens on February 14, 2013.  As always, we'll see. If you have any thoughts on the matter, do share them below...

Scott Mendelson 

John Gosling previews the week's new releases (09-07-12).

A relatively quiet weekend with just two major releases, only one of which is out to a substantial number of screens.The Words was written and directed by Brian Klugman and Lee Sternthal and follows a young author (Rory) desperately trying to come up with a story. When his latest effort is rejected he happens across an old manuscript in a house in which he is staying with his partner. Finding himself blown away by how good the story is, he sets to work re-typing it, with a view to passing it off as his own. Thanks to 'his' new book, Rory finds himself the sensation of the publishing world and reaps all the rewards that come with it. But when a man connected with the original manuscript comes into his life, the author soon discovers the high price he will have to pay for stealing another's story. The Words marks the directorial debut of Klugman and Sternthal, who received advice on the script from the Sundance Writer's Lab. With funding in place they set to work on casting, with Bradley Cooper taking the lead role of Rory, Zoe Saldana as his wife Dora and Jeremy Irons as the stranger with the potential to expose Rory's deceit. Other members of the cast included J.K Simmons, Dennis Quaid and Oliva Wilde, the last two acting as a framing device for the picture - Wilde interviewing Quaid's character who has himself written a book relating to the events that unfold as the main body of the film.