Showing posts with label patrick wilson. Show all posts
Showing posts with label patrick wilson. Show all posts

Friday, December 9, 2011

Scott Mendelson: MEDIOCRE INTERVIEWER! - Diablo Cody on Young Adult.

I don't do interviews, so you'll pardon the messy edges.  But I was lucky enough to attend a screening of Young Adult (review) two weeks ago where writer Diablo Cody and actor Patton Oswalt were in attendance.  Long story short, I ended up getting some phone time with Ms. Cody, in what was supposed to tie in with that rambling essay I wrote on Wednesday.  Anyway, thanks to a slightly curtailed time and my desire to talk about the movie itself, the questions below mainly deal with Young Adult.  Point being, I asked her half-a-dozen questions and got half-a-dozen worthwhile answers, all of which are paraphrased to the best of my ability unless there are actual quotes.  Just don't look for a pattern or any narrative coherence.  My fault, not hers, and if I do this again I'll be sure to get a phone recorder that actually works.  But here we go...

Monday, November 28, 2011

Review: Young Adult (2011)

Young Adult
2011
95 minutes
rated R

by Scott Mendelson

I have often written about what I feel is a distinct double-standard when it comes to the relative morality of female protagonists (or even major female supporting characters) compared to their male counterparts.  Put simply, a male character can be a murderous criminal or a duplicitous emotional con-man and still be considered an 'anti-hero' if not a hero if he's doing it for a (pick one) hot girl, child, and/or animal.  But female characters are often judged as 'unworthy' (read - 'bitches') if they exhibit the slightest bit of selfish impulse and/or self-interest, and/or if they show the slight amount of characteristics which may be classified as 'unsympathetic'.  Male characters of this nature are considered 'complex', while female characters are considered 'unsympathetic' or 'unable to connect with audiences'.  Jason Reitman and Diablo Cody's Young Adult will be an interesting test case.  Aside from its other merits, it represents a star vehicle for a major actress (Charlize Theron) whose primary character does not bravely overcome adversity but rather openly causes adversity to those around her.


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