Showing posts with label Alan Arkin. Show all posts
Showing posts with label Alan Arkin. Show all posts

Wednesday, March 13, 2013

Review: The Incredible Burt Wonderstone (2013) will make your laughter and interest disappear.

The Incredible Burt Wonderstone
2013
100 minutes
rated PG-13

by Scott Mendelson

Among its many other faults, The Incredible Burt Wonderstone makes a solid case for the old 'television is better than the movies' argument.  The film is written by four different screenwriters all swimming in television writing experience and directed by a man who has directed almost nothing but television since 1990 and all of their various television projects are likely, by default, better than this film.  It features two actresses (Olivia Wilde and Gillian Jacobs) who did shine or are currently shining in well-developed three-dimensional roles on episodic television and uses them here merely as props for the boys to screw or ogle.   It contains a script seemingly written by committee that features less wit and smarts than any one of the 38 episodes of 30 Rock  by director Don Scardino.  But putting aside the film vs. TV debate, The Incredible Burt Wonderstone is an inexplicable missed opportunity, showcasing subject matter that isn't the least bit timely and highlighting the unmerited 'redemption' of a pointlessly horrible human being whose downfall is completely his own fault.  More importantly, save for Jim Carrey's supporting turn and a few grace notes along the way, it isn't very funny.

Tuesday, October 9, 2012

Review: Argo (2012) is a terrific old-school historical thriller

Argo
2012
120 minutes
rated R

by Scott Mendelson

I've written a lot over the years about film punditry so seemingly starved for excellence that they will anoint mere craftsmanship as art.  Ben Affleck's Argo (trailer) is a crackerjack piece of filmmaking craft.  It is an astonishingly authentic representation of a rather important historical turning point, vividly capturing time and place with such skill that it genuinely feels like a film created in its time period.  It is rich with period detail and filled to the brim with top-notch character actors.  It is so engaging and so entertaining that I frankly don't care whether every allegedly non-fiction detail is true.  But ironically the picture's greatest strength as a movie arguably becomes its greatest flaw as a film.  It is not really about anything other than itself, refusing to infuse its narrative with any deeper meaning beyond our own knowledge of what happened next.  It is not a sober historical document but rather a caper film that happens to take place during a major moment in world history.  Like Moneyball, it is refreshingly lacking in perceived importance but also suffers from a lack of gravitas.


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