Showing posts with label Aaron Johnson. Show all posts
Showing posts with label Aaron Johnson. Show all posts

Wednesday, March 13, 2013

Watch/Discuss: Kick Ass 2 gets a red-band trailer.


I'm not allowed to post my The Incredible Burt Wonderstone review quite yet, but I will say that this film and the one opening Friday marks an interesting turn for Jim Carrey, theoretically eschewing the pure star vehicle in favor of broadly comic "I'm just here to be funny" supporting turns.  Since Carrey never really had that portion of his career where he slowly broke into lead vehicles (like for example Will Ferrell), this is pretty new territory for him and something I look forward to as we near the 20th anniversary of Ace Ventura: Pet Detective next January (congrats - you're old).  Anyway, the rest of the trailer seems fine, although I can't help wondering if this will be a classic case of 'rooting against action', where we want to maintain the happy ending of the first film, with Dave living happily with his father and dating Katie (who happily is returning) while young Mindy gets the childhood she was previously denied.  

Thursday, April 5, 2012

Oliver Stone's star-filled, and unapologetically R-rated Savages, the official 'adult popcorn film of summer 2012', gets a down-and-dirty trailer.

It used to be a custom of sorts to have at least one somewhat adult-skewing genre picture in any given summer, something to stand out for older audiences who liked their summer thrills with a bit less fantasy and a bit more gore and/or nudity.  Be it Wolf in 1994, A Time to Kill in 1996, Swordfish in 2001, The Road to Perdition in 2002, or Collateral in 2004 (along with, arguably The Manchurian Candidate redo), this once time-honored tradition somewhat went the way of the dinosaur as seemingly adult genre fare like Mr. and Mrs. SmithThe Da Vinci CodeLive Free or Die Hard and Salt got squeezed into the PG-13 zone and R-rated comedies like The Wedding Crashers, Tropic Thunder, and The Hangover compensated for the lack of truly R-rated action fare.  Aside from the likes of The Expendables in 2010, summer has pretty much been the place where everything is aimed at everyone for the last several years.  But Universal senses an opening, not only moving this seemingly trashy bit of pulp fiction into the summer, but slotting it three days after the debut of Sony's The Amazing Spider-Man.

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