Review: Olympus Has Fallen (2013) is violent and stupid, a 'direct-to-VHS Die Hard rip-off' on steroids.

Olympus Has Fallen
2013
120 minutes
Rated R

by Scott Mendelson

If taken at face-value, Antoine Fuqua's Olympus Has Fallen is pretty much morally indefensible. Written by Creighton Rothenberger and Katrin Benedikt, the film offers a level of jingoistic fear-mongering  the likes of which are more commonly associated with a 1980s Chuck Norris vehicle and/or the likes of Cobra.  It is astonishingly violent yet acts as if the safety of a single person is all that necessitates a happy ending.  While the slightly similar 'president in peril' epic Air Force One at least implicitly asked what cost in lives should be spent to preserve the life on a man who happens to hold a certain elected office, Olympus Has Fallen has no such weighty ideas on its mind.  It is not so much a Die Hard rip-off but a high-budget ($80 million) ode to the flurry of cheapie straight-to-VHS knock-offs that flourished in the late 1990s, complete with simplistic plotting and implausible levels of violence.  It isn't terribly smart and it peaks in the first act, but damned if I didn't enjoy the picture nonetheless.

Trailer: Olympus Has Fallen looks like a terrific old-school action blast with a cast to die for.

Good lord this looks like great fun!  If this is supposed to be the "B-Level" movie about terrorists taking over the White House (proceeding the Channing Tatum/Jamie Foxx action thriller White House Down), then I can't imagine how good that Roland Emmerich action picture might be.  Antoine Fuqua is a generally solid action filmmaker and the cast (Gerald Butler, Aaron Eckhart, Morgan Freeman, Dylan McDermott Ashley Judd, Melissa Leo, Cole Hauser, Angela Bassett, Robert Forster, and Rick Yune) is to die for.  Yes it's mired in cliche, but tell me you didn't grin a little bit when you correctly predicted Butler gravely intoning "I'm the best hope you have!".  It's a little odd to have Ashley Judd for such a small part, unless A) she's still alive in the end or B) she wanted a paycheck to finance her probable US Senate run in 2014.  Either way, this looks like an old-school action blast from the proverbial past, a gee-wiz Die Hard/Air Force One hybrid that is hopefully high-energy, production value-rich, genre fun.  Olympus Has Fallen opens on March 22, 2013.  Come what may, it looks like we may get at least one good Die Hard movie this spring after all.  This one was barely on my radar and now it's among my top must-sees of the season.  Nice work, Film District marketing!

Scott Mendelson

Weekend Box Office (12-09-12): Playing For Keeps bombs as the moviegoing world awaits the Christmas rush.

The decision by Warner Bros. to move The Gangster Squad (trailer) to January, 2013 and Universal's choice to move Les Miserables from next weekend to Christmas day should have caused a giant game of musical chairs.  It didn't, and now we have the second December weekend in a row (with one more to come) with just a single new release).  Meanwhile the last two weekends of the year are going to be jam-packed with major films (Jack Reacher, This Is Forty, DJango Unchained, The Guilt Trip, etc.), all of which could have *easily* topped the box office and/or dominated the competition had they opened this weekend or last weekend.  But weekends that are barren of new releases save for a Gerald Butler vehicle tend to be very boring box office weekends indeed.

Playing For Keeps versus... well everything that's already out in John Gosling's weekend movie preview (12-07-12).

The first weekend in December is generally noted as being one of the quietest of the entire cinema-going year. Studios are loathe to see a major release lost to people opting to get their Christmas shopping started (or finished). In 2011, there wasn't a single wide release on this weekend, while 2010 saw The Warrior's Way, which vanished as quickly as it had appeared. This year is no different, with just one solitary release in the guise of romantic comedy, Playing For Keeps. The story follows George, an ex-soccer player who returns home and ends up coaching his son's team, while at the same time trying to get his life back in order. As the new, good-looking guy in town, he finds himself having to contend with the not so pure intentions of the gorgeous soccer mums while attempting to reconcile with his ex-wife, who is about to get re-married. There's also a potentially life-changing job at ESPN in the offing, if George is willing to leave his son behind once more. Director Gabriele Muccino got his start in Hollywood on the 2006 Will Smith drama, The Pursuit of Happyness, but had been directing in Europe a number of years prior that.