Review: The Expendables 2 (2012) - tastes great, less filling.

The Expendables 2

2012
103 minutes
rated R

by Scott Mendelson

The good news is that The Expendables 2 is that it gives you more of what you wanted the first time around.  There is a greater volume of action and the film has even more A-list action stars offering their services this time around.  The picture is rarely dull and often amusing, but at what cost?  The film barely tries to pretend that it exists as an actual motion picture, with the various onscreen tough guys openly referencing their iconic roles or real-life biographies in a manner that takes you out of the movie each time.  The first picture may have been light on the A-level firepower, but it attempted to be a real film with an actual story and token attempts at depth.  The original Expendables (barely) worked as a metaphor for a modern America that could still do the right thing for the right reasons in a manner honoring its alleged superior morality.  This new film has 'more of what you came to see' but is paper thin without a hint of substance or even dramatic credibility.  Comparing the two films is a classic example of 'trying and (perhaps) failing' versus 'failing to try'.  

Arnold Schwarzenegger (The Last Stand) vs. Sylvester Stallone (Bullet To the Head): Whose new movie has the worse trailer?

Let's be honest.  Both of these films look pretty terrible.  Both feature over-the-hill action icons who can barely walk at a quick pace let alone engage in all-out fight scenes.  The films look just a big better than substandard direct-to-DVD action fare, and that's not even counting the *good* DTV stuff like Universal Soldier: Regeneration and Undisputed 3.   Both Stallone and Schwarzenegger seem to be acting as badly as possible.  Schwarzenegger is obviously out of practice, but Stallone has little excuse, having delivered perfectly fine turns in Rocky Balboa, Rambo, and The Expendables (I'm hopefully seeing The Expendables 2 tomorrow night).  So, The Last Stand (from Jee-woon Kim, helmer of I Saw the Devil) opens from Lionsgate on January 13th, 2013. Walter Hill's Bullet To the Head (following oodles of reshoots) debuts via Warner Bros. on February 1st, 2013.  They both look pretty terrible.  But as a longtime fan of Homicide: Life on the Street, Bullet To the Head gets bonus points for viciously murdering Jon Seda (who very nearly killed the show during season six) in the opening reel.  Which one looks less awful to you?  Are you surprised that 20th Century Fox didn't have a A Good Day To Die Hard trailer ready for this weekend?  Please share below...

Scott Mendelson    

John Gosling previews the weekend's new releases (08-17-12).

Something for everyone this week, with four major releases and a potentially interesting limited one. 

The first Expendables movie was like an action-fanboy's dream, with a special nod to the 1980s. From a story by David Callaham, Sylvester Stallone wrote, directed and starred in the feature, with action stars Dolph Lundgren, Jet Li and Jason Statham, being joined by MMA fighter Randy Couture, former wrestler Steve Austin and Mickey Rourke. The film also managed the scoop of featuring a short scene with Stallone, Bruce Willis and Arnold Schwarzenegger. The ensemble flick followed Stallone's team of expendables on a mission to take out a military leader and a corrupt CIA official (played by another 80s veteran, Eric Roberts). While not quite delivering on the wall to wall action some were hoping for, it was a global smash, making $107M domestically, with a further $174M overseas, on a budget pegged at $80M. Before the film was even in theatres, Stallone was already talking a sequel, and his plan to bring back even more action icons next time around. The follow-up was greenlit a few months later with the star adapting a story by Ken Kaufman, David Agosto and Richard Wenk. By April 2011 things were shaping up but Stallone announced he would not return to direct, instead, Con-Air's Simon West, who had worked with Statham on the remake of The Mechanic, would be at the helm. He hired story co-creator Richard Wenk to pen a new draft of the script, after which casting commenced. 

"Your movie stinks, see ours instead!" Question of the day: Should movie marketing campaigns bait each other?

It was my first thought walking out of The Bourne Legacy last Monday.  "I bet Sony and MGM wishes they could somehow attach a Skyfall trailer to *the end* of every Bourne Legacy print, purely out of spite."  Obviously that really isn't possible in today's theatrical distribution model, but why wouldn't Sony do the next best thing?  Why wouldn't they cut a new Skyfall trailer explicitly commenting on how mediocre the latest entry in the would-be heir-to-Bond franchise is?  Cue: various underwhelming clips from The Bourne Legacy.  "Wow... that bloody sucked!  That Aaron Cross sure is a wanker!  Let a real professional show you how its done... (cue Bond theme and fade in accordingly)."  Or whatever, you get the idea.  For reasons that may involve actual regulations or may just be a kind of mutual gentlemen's agreement, rival film studios don't generally call each other out like that.  But maybe, just maybe they should.  It may not be polite, but it would make modern film marketing that much more fun.

Good movie news in 2012: the return of R-rated movies.

Normally, I wouldn't be one to consider Abraham Lincoln: Vampire Hunter (which to be fair I have not yet seen) as a shining example of a positive trend in movie-going.  But the historical fiction action-thriller may be many things, but one thing it is not is PG-13.  Oh no, it is a mid-summer major studio spectacle that is going out into 3,000+ theaters with an honest-to-goodness R.  Said rating is officially for "violence throughout and brief sexuality".  Whether or not the film could have been edited down to a PG-13 is arguably a moot point.  20th Century Fox spent $70 million (a refreshingly reasonable sum) on a major summer production that was conceived and produced with the intent that it would indeed be R-rated.  And most shockingly, it was not even the only R-rated wide release last weekend, as Focus Features unspooled Seeking Friends at the End of the World in 1,400 theaters.  I've written/ranted for years about how the R-rating became an endangered species for major-studio releases due to the 2001 FEC regulations regarding the marketing of R-rated films, but the tide does seem to be changing over the last couple years.  And it's reached a glorious peak at this very moment, with an avalanche of R-rated wide releases filling up the multiplexes.

Once again, Garrison Dean fashions a terrific fanmade Expendables trailer, this time with a 'Made in the USA' Expendables II preview.

I happen to think that the New York Times article that is used as the basis for this wonderful fan trailer is full of crap (cough-Fast Five, Mission: Impossible: Ghost Protocol-cough), but I still laughed my ass off at this pretty much the entire running time.  And yes, just like two years ago, this Garrison Dean trailer is superior to the official Lionsgate one, although the official Expendables II trailer is indeed a better piece of work than the official Expendables trailer from summer 2010.  Just enjoy this thing and wonder why Mr. Dean hasn't gotten a job from any of the trailer houses yet.  I'm sure he would have had some choice words about the John Carter campaign.

Scott Mendelson

The Expendables 2 trailer looks fun, but will a slumming Schwarzenegger sink the movie?

This looks like more of the same, which is just fine by me.  The first film was just a little better than I expected, offering a fantasy of American warriors who could save the day with no collateral damage and with their morality intact by the time the credits rolled.  This one of course brings a bunch of new cast members, although my biggest fear is that Arnold Schwarzenegger may sink the whole thing.  His cameo in the first film was the worst scene of the picture, as he was basically refusing to take it seriously while Stallone and Willis respectively played it straight.  His performance here seems to be approaching Batman & Robin-level camp, which could prove fatal depending on how much screentime he has.  The rest of the gang looks fine, and considering Jean-Claude Van Damme's best pure-action film over the last 15 years involved him playing a villain (and that villain's clone... rent Replicant), it's so surprise that he seems to be having fun playing the super-villain this time around.  Anyway, this won't reinvent the wheel, but that's kind of the point.  The Expendables 2 looks like pretty solid B-movie action trash, and that's more-than-enough for me.  It drops August 17th.  As always, we'll see.  Thanks to IGN for the 'get'.

Scott Mendelson  

In a spoiler culture, the biggest offenders are the studios.

If there is one 'trend' in film marketing this year that has raised the ire of pundits and bloggers around the web, it is the practice of studios cutting what amounts to a 'teaser for a trailer'.  Summit has done this for the last couple Twilight films, but the would-be trend reached an apex with two major science-fiction summer tentpoles.  First, Fox has been cutting teasers for nearly all of its 7,000 trailers for Ridley Scott's Prometheus.  Second of all, Sony cut a 30-second teaser for its first trailer of the Total Recall remake which was to debut during a Sunday afternoon basketball game at the beginning of last month.  Everyone complains about it, but pretty much all of the movie news sits post the embeds of these 'trailer-teasers' as quickly as they are released. This week Warner Bros. unleashed an online viral game of some kind which apparently unlocked specific shots of the new Dark Knight Rises trailer.  By mid-day, someone had combined all of the shots into a video file and basically was able to present what amounted to the first half of the trailer.  Thus Warner Bros. ended up releasing the whole thing online Monday night rather than (as I presume was intended) waiting to premiere the 140-second preview in theaters attached to The Avengers on Friday.   We've now reached the point where Lionsgate released this Terry Crews-hosted 'teaser' for the upcoming Expendables 2 trailer where Crews openly admits that 'trailer-teasers' are now a mandatory marketing tool (from JoBlo).

Please enjoy these 12 character posters from The Expendables 2.

Lionsgate sent these straight to me, a day late per usual.  Actually, I'm not complaining because it means I don't have to track down where each poster debuted yesterday and give each site credit.  That it's the right thing to do doesn't make it less of a pain.  Anyway, enjoy these twelve character posters from The Expendables 2 after the jump.  Coming this August from Lionsgate, featuring as much R-rated violence and gore as post-production CGI can bring you.  Can you guess which of the twelve distinctly looks like he could most-certainly *not* kick your ass?  Well, no besides Chuck Norris...

Scott Mendelson

Summer 2012 is the unofficial summer of IMAX domination...

Simply put, during the first twelve weeks of summer (May 4th to July 20th), there are six, maybe seven major movies all debuting in IMAX for at least the first week of their respective theatrical runs.  Three of them are in May, one is in June, and two or three are in July.  What are they you ask?  Well...

Chuck Norris is not the cause, merely an alibi. The irony of a PG-13 Expendables II.

This story broke yesterday (I first read it yesterday morning at Collider), but since it was based on a translation of an interview that actor Chuck Norris gave to a Polish magazine, I thought I'd wait to make sure it wasn't a mistranslation.  But Sylvester Stallone has confirmed to Ain't It Cool News that The Expendables II will indeed be PG-13, although his explanation doesn't specifically blame Mr. Norris.  To wit, here, translated into English, is the 'offending' portion of Chuck Norris's interview:

"In Expendables 2, there was a lot of vulgar dialogue in the screenplay. For this reason, many young people wouldn’t be able to watch this. But I don’t play in movies like this,” Norris explained. “Due to that I said I won’t be a part of that if the hardcore language is not erased. Producers accepted my conditions and the movie will be classified in the category of PG-13."

And here is Sly Stallone's confirmation:

"Harry (Knowles), the film is fantastic with Van Damme turning in an inspired performance... Our final battle is one for the ages. The PG13 rumor is true, but before your readers pass judgement, trust me when I say this film is LARGE in every way and delivers on every level. This movie touches on many emotions which we want to share with the broadest audience possible, BUT, fear not, this Barbeque of Grand scale Ass Bashing will not leave anyone hungry..."

What is strange about this is not that Stallone and his band of 80s and 2000s action stars are catering to the whims of one very over-the-hill action icon, or that Norris thinks that hearing profanity is more harmful to youngsters than watching over-the-top violence (in a pre-Sopranos/24 era, Walker: Texas Ranger was once considered the most violent show on television).  No what's strange is that the first Expendables, judging on the theatrical cut, was clearly intended to be a PG-13 in the first place.  Watching the film back in August 2010, I distinctly remember thinking that this was an awfully soft R, and that up until a certain third-act action sequence involving Stallone with a knife, it appeared that there wasn't going to be all that much R-rated violence at all.  Stallone and company waffled back and forth prior to the film's release about its rating, and I am still convinced to this day that it was always intended to be a PG-13 movie.

The Expendables II gets a teaser, which indeed teases.

This is obviously a teaser, and once again I'm almost tempted to say that Lionsgate should just stop there, since anyone who doesn't want to see this picture probably won't be persuaded by seeing various samples of the various action sequences. Anyway, the important glimpses are of course right at the end, when we get to see Schwarzenegger and Willis engaged in actual combat. The Expendables II opens August 12th. As always, we'll see...

Scott Mendelson

The Expendables 2 gets the most Expendables 2-ish poster possible.

Aside from the fact that a few of the top-billed stars aren't on the poster (where's Jet Li?), this looks like the best possible poster you could craft for The Expendables 2.  I expect we'll see a teaser before the year is out, perhaps attached to Sherlock Holmes 2 or Mission: Impossible IV.  It's a shame that Lionsgate didn't have the sense of humor to attach it to Twilight Saga: Breaking Dawn part I, but oh well.  Thanks to JoBlo for the poster.

Scott Mendelson