M. Night Shayamalan's After Earth gets a second promising trailer.

Cautious optimism is the phrase here.  This looks good.  This looks like a solid and visually creative piece of big-budget science-fiction.  Will Smith generally doesn't make awful movies.  Jaden Smith held his own three years ago against an Oscar-worthy Jackie Chan in The Karate Kid.  And M. Night Shyamalan?  Well, one can only hope that this seemingly work-for-hire project allow him to find his groove again, especially with Will Smith in the producer's chair able and willing to tell him "no".  I know I say this a lot, but I still believe in M. Night Shyamalan.  The Sixth Sense and Unbreakable are two of the best films of the last fifteen years.  Signs is top-notch popcorn entertainment and even The Village and Lady in the Water have things worth noting (potent political subtexts and a powerful musical score in the former, a haunting Paul Giamatti performance in the other).  But come what may, even if After Earth turns out to be another miss, even if Shayamalan never makes another good movie again, so be it.  M. Night Shayamalan made The Sixth Sense and Unbreakable.  Nobody can take that away from him.  Anyway, After Earth opens on June 7th, in IMAX no less.  As always, we'll see.

Scott Mendelson

M. Night Shamalan's After Earth gets a suitably cryptic trailer.

And the pre-Hobbit trailer deluge continues... Yes, this is the second 'people roaming around desolate Earth' trailer we've seen in 72 hours, but this is still a pretty solid looking trailer.  The scale looks appropriately large, and it looks to present naturalistic images that we've never seen before.  As with the golden age of M. Night Shyamalan trailers, this gives away little about the film aside from the very basic plot.  The voice over is arguably trying to hide the fact that Jaden Smith has much more screen time than Will Smith, which makes sense from a marketing standpoint.  Jaden Smith already stood toe-to-toe with Jackie Chan in one of his finest performances, so the question now is whether Jaden Smith has the natural ability to anchor a film all by himself ala Will Smith in I Am Legend.  Of course the secondary question is which M. Night Shyamalan came to work.  If it's the guy who directed Haley Joel Osmont to an Oscar nomination, then Jaden Smith will be just fine.  If it's the guy who directed the various young performers in The Last Airbender, then there is cause to be afraid.  Yes yes, fear is a state of mind, and I still believe that the Shyamalan who directed The Sixth Sense and Unbreakable is still alive.  We'll find out for sure when After Earth opens on June 7th, 2013.  I still haven't given up on him...

Scott Mendelson

M. Night Shyamalan's After Earth gets a 'viral video'. Plus, a brief look back at classic M. Night Shyamalan teasers...

Another bit of catch-up from Comic Con weekend, this 75-second alternative history of the Earth presumably provides a bit of background exposition for Sony's summer 2013 sci-fi spectacle After Earth.  The idea of Will Smith teaming with M. Night Shyamalan is incredibly exciting, as I've written before (long story short, they are both mega-star control freaks who will hopefully temper each other's bad impulses while embracing each others' good ideas).  While I won't paste the plot exposition here for those who don't want to know, I will say that Sony has not been shy about revealing the core story-line as if it were just another science-fiction adventure film.  It's a little disheartening frankly, as I fondly remember the days when M. Night Shyamalan's films went into theaters with barely a hint or two as to what it was actually about.  Unbreakable, Signs, The Village, and Lady in the Water all had bare-bones teasers that often hid the true premise of the respective film, leaving much unknown to the ticket-buyer walking in on opening day.  Yes The Happening didn't have any story twists per-se to reveal while The Last Airbender was based on an existing television show, but I do recall a certain thrill at the intentional withholding of information following The Sixth Sense's surprising success.  They were masterclasses for selling a movie without giving away much at all, and they all retain their impact no matter what how we feel about the finished films.  Anyway, M. Night Shyamalan's After Earth opens June 7th, 2013.  Click below the jump some classic N. Night Shyamalan teasers (thanks to Trailer Addict for keeping these around).  Which one is your favorite?  For me, it's a toss-up between Unbreakable and The Village.

Scott Mendelson

Because the twist was beside the point... What those who've ripped off The Sixth Sense over the last twelve years have gotten wrong about its finale.

With Dream House opening today, sans press screenings, audiences will get a chance to discover, if they choose, just how much of the film has been spoiled by the trailer.  Early reviews indicate that the movie is both stunningly boring and basically a hodge-podge of classic twist ending cliches.  While it's fashionable to blame The Sixth Sense for the last ten years of last-minute 'gotchas!', the would-be thrillers that have followed in M. Night Shyamalan's footsteps missed a crucial distinction.  The last minute reveal that closes The Sixth Sense isn't really the finale of the film.  It's not a big zinger that the entire movie revolves around.  The movie, at its core, is a human drama about a troubled young boy and his struggling single mother.  With painfully good work by Haley Joel Osment and Toni Collette (both of whom damn-well should have won Oscars) and a genuinely sympathetic and thoughtful screenplay by M. Night in his prime, the climactic reveal, and really all of the supernatural material is merely a means to an end.  It is, to paraphrase one of the film's last lines, always second to the heartbreaking human drama.  The movie doesn't climax with the revelation about Bruce Willis's ultimate fate.  It truly climaxes one scene earlier, as mother and son finally open up to each other and reach an understanding that will truly strengthen their relationship.  The emphasis on character over thrills and chills is among a handful of reasons why The Sixth Sense is still a masterpiece and one of the best films of the 1990s.  The scene above, the true finale to The Sixth Sense, is probably the best thing M. Night Shyamalan has ever filmed, and it is one of the main reasons I still haven't given up on him.

Scott Mendelson     

Yesterday's News Today: Will Smith teams with M. Night Shyamalan. How they can help each other...

The news is brief and relatively vague. But Will Smith and Jaden Smith are apparently headlining an original science-fiction adventure film for none-other than M. Night Shyamalan. The Sony picture is untitled and the plot details are sparse ("Set 1,000 years into the future, a young boy navigates an abandoned and sometimes scary Earth to save himself and his estranged father after their ship crashes."), but the idea of the biggest star on Earth teaming with one of the more iconic filmmakers in the modern age remains an interesting one. Point being, it may well be a mutually-beneficial relationship for both of them.

2010 in Review: The 'Worst' Films of the Year.

I use the term 'worst' subjectively, both because I'm stating subjective opinions and because there are plenty of allegedly terrible films that I did not see this year (Yogi Bear, Gulliver's Travels, Sex and the City 2, Little Fockers, Grown Ups, etc). Sadly, this was the first year in as long as I've been doing this where it was easier to make up a 'worst of year' than a 'best of year'. Not because there were so few good films, but because there were so many astonishing failures from some of my favorite filmmakers. So, without further ado, and in alphabetical order, I give you my personal picks for the ten worst films of 2010.

Alice in Wonderland
It is a strange thing to see a director that you worshiped in your youth score by-far the biggest hit of his life from one of the worst films of his career. Yet Alice in Wonderland is easily Burton's worst film, give-or-take Planet of the Apes (the latter is duller, but I love the 'up yours' ending). The screenplay turns Alice into a passive character defined by predestination and what other people expect from her and then expects us to find the film a rousing piece of female-empowerment. The result is an equally passive film that contains no suspense and no driving force. The film is inexplicably ugly to look at, and the 3D only muddies the image that much more. This was an assembly-line paycheck job for all involved, and a sign that, traumatized by the box office failure of (the secretly right-wing?) Mars Attacks and the outrage over Batman Returns back in the 1990s, Burton may have given up any attempt to be a visual or narrative original. If this were any one else's artistic failure, it would simply be a very dull and uninspiring film. But coming from Tim Burton, it was just one of the heartbreaking failures of the year.

Review: Devil (2010)

Devil
2010
80 minutes
rated PG-13

by Scott Mendelson

Devil is a deliciously old-fashioned throwback of a horror film. It is a myth, a ghost story told around a campfire, and a deliciously entertaining piece of pop entertainment. It is overly moralistic and quite heavy-handed in spots, but it succeeds in its very limited ambitions. It will not gross you out or send you to bed deeply disturbed. But it will make you jump out of your seat, nervously giggle to yourself, and send you out of the theater with a big goofy grin on your face. It's not high art, but it's quite a bit of fun.