Showing posts with label Waking Sleeping Beauty. Show all posts
Showing posts with label Waking Sleeping Beauty. Show all posts

Thursday, November 29, 2012

Press Release and Commentary: Disney names Jennifer Lee as co-director of Frozen and it will be a musical.

FRZN_Title_NoSnowflake


There are two things of note in the press release, which I've include in full after the jump.  One, obviously, Disney is making another go at having an animated feature directed by a woman and actually featuring female protagonists (plural!) at its center.  Obviously one can only hope this story has a happier ending than Brenda Chapman's experiences on Pixar's Brave and one can only hope we'll soon reach the point when hiring a female filmmaker to direct a major animated feature isn't considered major news.  Anyway, Ms. Lee recently co-wrote Wreck It Ralph.  The other bit, arguably almost burying the lead, comes right at the end.

"With original songs by Tony®-award winner Robert Lopez (“The Book of Mormon,” “Avenue Q”) and Kristen Anderson-Lopez (“In Transit”), “Frozen” journeys into theaters Nov. 27, 2013, in Disney Digital 3D™ in select theaters."

That's right, folks.  Disney is apparently crafting another old-school 90s-style musical and just like the Waking Sleeping Beauty era, they are stealing from Broadway to do it.  Interesting... Anyway, the press release is below and feel free to share your thoughts on this nugget of news.

Scott Mendelson


Friday, September 16, 2011

The eternal problem with The Lion King: "Where's the middle?"

As most of you know, Disney is re-releasing The Lion King in 2,330 3D theaters this weekend as a two-week advertisement for the upcoming Blu Ray release.  So weak is the current crop of openers (financially, not artistically), that there is a good chance that the re-release of this 17.25 year old movie could top the weekend box office yet again.  Anyway, I come not to discuss what that means for the industry, or for the new-found trend of re-releasing old movies retrofitted with 3D, but merely to point out the big problem that I've always had with the film.  It's still pretty great overall (I watched it just under two years ago), with dynamite animation, a sober and moving story, plus terrific vocal work from what was arguably the first major animated film filled with an all-star cast of human actors.  Yes, the film's success basically caused the current trend of filling up animated features not with professional voice-over actors but with whatever A-list or B-list celebrity you can get to say yes, but I digress.  I do have few qualms here and there.  Simba's primary moral dilemma is based on a falsehood, Simba only defeats Scar because the villain stupidly confesses his sin just before his ultimate triumph, and the romantic subplot is a waste of time and space.  But overall, the film still kills as an emotional journey and a towering achievement of the 1984-1994 Disney Renaissance period.  Jeremy Irons probably should have gotten an Oscar nomination, and the Hans Zimmer score may be the best in Disney history save Alan Menkin's Hunchback of Notre Dame score.  But what I'm describing is the film's first and third acts.  What about the second act?  Well, it doesn't have one.

Monday, December 27, 2010

2010 in Review: Good Movies You Missed.

Let us continue our look back at the year in film with a token acknowledgement of eleven good if-not great films that flew by the radar without much acknowledgment from audiences and/or the critical community. For the record, not all of the films below are great pictures, but they are all worth a look and deserve a bigger audience than they received. The following are in alphabetical order.

Agora
This expensive and lavish period piece came and went without a peep, but it remains a thoughtful and socially relevant piece of history. Rachel Weisz gives a solid star turn as Hypatia of Alexandria. As a rare educated female who holds esteem over many of her male colleagues, Hypatia's gender is refreshingly irrelevant, until it's all that matters. The film concerns the rise of Christianity in Roman Egypt, and it deals rather objectively with the dangers of fanaticism and extremism in all faiths. It eerily draws parallels to modern day religious fundamentalism while acknowledging that the East and the West have a nasty habit of inciting those who would lash out in retribution. It's a piece of forgotten history and a darn good movie to boot. R-rating aside, this would be just the kind of film to be shown in classrooms, be it for would-be historians (better to pick out whatever factual inaccuracies that I didn't notice) or future mathematicians.

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