Showing posts with label Amour. Show all posts
Showing posts with label Amour. Show all posts

Saturday, December 29, 2012

2012 in Film: The Runner-Ups.

As we continue recapping the movies that arguably defined 2012, we move on to what I like to call 'The Runner-Ups'.  These films are all very good if not great.  Either they didn't quite make my 'favorite of the year' list or they aren't the kind of thing that belongs on a traditional best-of-year list (you'll see which ones I'm referring to below).  Anyway, consider this a 'great films that aren't among the very best but I darn-well wanted to highlight them' list.  As always, the films below are in alphabetical order.  Without further ado...

Argo (review):
In a year where old-school big-studio genre films for adults solidified their comeback, this Ben Affleck political period piece is the defining example of everything going right.  It cost just $45 million, so it didn't need to be a massive hit to make a profit, but a massive hit it was.  With around $105 million at the domestic till so far, it's among the year's top Oscar contenders, and I still have an inkling that Ben Affleck is going to walk away with the Best Director statue this year (the somewhat false 'comeback kid' narrative is too good to resist).  Argo, concerning a true story of the CIA's attempts to rescue six Americans trapped in Iran during the embassy hostage crisis of 1979, is a pretty terrific film through-and-through.  The only reason it doesn't rank higher is that it's really not about anything other than itself.  It's a caper film, a procedural, but with no attempts at any additional relevancy.  That's not a bad thing per-se, but it arguably prevents the film from being anything other than a terrific piece of old-school moviemaking.  That's not exactly an insult, as it's still a top-notch piece of meat-and-potatoes entertainment.

Saturday, December 22, 2012

Review: Amour (2012) is an unflinching, devastating, but ultimately humane look at what awaits us all.

Amour
2012
127 minutes
rated PG-13

by Scott Mendelson

Michael Haneke's Amour is among the best films of the year, yet I'm not entirely sure who I would recommend it to.  It is fearlessly acted by its leads (Jean-Louis Trintignant and Emmanuelle Riva) and it is insightful in ways beyond the mere clinical exhibition of its subject matter. It is the best film about aging since Sarah Polley's Away From Her and even that Alzheimer's drama has a few moments of release that Haneke is unwilling to provide here.  But it is almost cruel in its depiction of the inevitable and for those not predisposed to seek out cinema for cinema's sake, it is a film that will bring only discomfort and pain.    It is arguably a masterwork, but it's not a movie I ever intend to watch again.  Whether you feel the need to watch it once, that's up to you.


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