Review: Dead Man Down (2013) shoots itself in the foot with a moronic and wrongheaded finale.

Dead Man Down
2013
110 minutes
rated R

by Scott Mendelson

Up until the very end of the picture, Dead Man Down is a mostly serviceable crime drama.  It has fine work from Colin Farrell and Noomi Rapace along with worthwhile supporting turns by Terrance Howard and the always appreciated Domonic Cooper.  It doesn't set out to turn heads or reinvent the wheel, but it tells its grim story of revenge and tortured romance with just enough aplomb to merit a casual viewing.  But oh that ending... I have no idea what screenwriter J.H. Wyman or director Niels Arden Opley were thinking and I can theoretically give them the benefit of the doubt that they just couldn't decide on a thoughtful finale.  I'd like to think they just gave up and went on 'bad screenwriting autopilot'.  It's frightening to think that these two professionals thought that the last reel constituted a worthwhile conclusion to their otherwise worthwhile yarn.  It's tough to review a movie where your biggest gripe involves the very end without actually revealing what happens at the end, so maybe we'll get to that later.

Review: Prometheus (2012) has stunning visuals, but with a generic story, old ideas, and thin characters.

Prometheus

2012
124 minutes
rated R

by Scott Mendelson

Come what may, Prometheus is a mid-level version of what it is.  By that, I mean it is, in the end, a somewhat generic Alien/The Thing-type horror film.  It is mostly science-fiction only in that it takes place in the future and involves inter-stellar travel.  Its 'big ideas' can be summed up in two sentences, and they are not only not-revolutionary but recognizable to probably 90% of the viewing audience.  It has some truly wonderful visuals and it's arguably worth seeing once purely for some of the images it creates.  But as a full-blown movie it doesn't quite work. Like Super 8, it gets tied up with horror elements in its last half that its filmmakers don't truly care about and feel like a commercial concession.  Like last summer's botched 80s-Spielberg homage, Prometheus takes advantage of a genre audience so worn down by threatened reboots and remakes that it seems almost groundbreaking that this film is merely a glorified rip-off of earlier genre entries of this nature.  While advertised as an original science-fiction epic with tangential ties to the existing Alien franchise, it really is a bigger budgeted and better cast variation of that specific template.  Despite must-see production values and some genuinely compelling imagery, it's somewhat closer in quality to The Thing 2011 than The Thing 1982.

Alien prequel/spin-off Prometheus gets two very Alien-like trailers.

This looks entertaining, it's well-cast, and yes there are moments that suggest a pretty large scale, but at the end of the day, it still looks like an Alien-type horror film.  Which means it will seemingly follow a certain template and hit specific plot beats along the way.  That's okay, but I have to wonder if this film weren't actually directed by Ridley Scott if all the hyperventilating geeks wouldn't be screaming 'Dude, it's an Alien rip-off!'.  Anyway, feel free to disagree, but I'm certainly hoping it will be a winner come June 8th.  Moreover, the first teaser played much better on a big screen (which partially inspired by rant about that last two weeks ago), so I'll presume the same is true about this IMAX-specific teaser.  This one drops in 2D, 3D, and IMAX 3D.  As always, we'll see...

Scott Mendelson

Ridley Scott's 'not an Alien prequel' Prometheus gets a trailer that looks an awful lot like an Alien prequel, or an Alien rip-off.

If I seem a little less excited about this project than others, it's because A) I'm not an Alien junkie (I love Aliens, like Alien and Alien: Ressurection, and respect the comprised vision that is Fincher's extended cut of Alien 3) and B) Ridley Scott is just as likely to make Robin Hood or Hannibal as he is to Kingdom Of Heaven or Blade Runner.  Actually, as I scroll down the list of Scott's movies over the last 20 years, I actually find far more I didn't like (1492, American Gangster, GI Jane, Black Hawk Down, etc) than ones I did enjoy (Gladiator which I still think is vastly overrated, Matchstick Men which is underrated, Thelma and Louise, etc).  Aside from that, the project feels a whiff desperate, as if Scott just decided to return to the franchise that made him a name after a few costly flops.  Now having said all of that, the footage on display does look quite impressive. The scale is pretty large and the cast is aces, but I could have said the same thing about Body of Lies.  And the preview is certainly selling the movie like either an unofficial Alien prequel or a big-budget variation on the template that Alien established (think Event Horizon or Virus).  But for now, there is no reason not to give everyone involved the benefit of the doubt.  This one drops on June 8th, 2012.  As always, we'll see.

Scott Mendelson

Review: Sherlock Holmes: A Game of Shadows (2011) entertains, intrigues, and amuses, but becomes too frantic for its own good.

Sherlock Holmes: A Game of Shadows
2011
128 minutes
rated PG-13

by Scott Mendelson

There are times when this second Guy Ritchie-helmed Sherlock Holmes adventure threatens to become what the first film was advertised as.  The first picture, if you recall, was marketed as an all-action, all-comedy, huge tent-pole adventure that just happened to feature the world's most famous detective (teaser and trailer).  In fact, the 2009 Sherlock Holmes (review) was an often quiet and contemplative character piece, a genuine mystery drama that had moments of big budget spectacle.  This new film tries its hand with the 'bigger is better' philosophy, to varying degrees of success.  The action is more frequent and of a larger scale, and the characters are less mournful and introspective this time around.  But what's lost in the fury and bombast is gained with an upping of the stakes, both personal and external.  Oddly enough, the highlight of the last picture, the relationship between Robert Downey Jr and Jude Law, becomes almost a distraction this time around, taking time away from what should be the primary attraction - the battle of wits between Sherlock Holmes and Professor James Moriarty.

Now THAT'S more like it! Sherlock Holmes: A Game of Shadows gets a darker, more engrossing trailer that highlights Moriarty accordingly.

It is perhaps worth noting that this sequel was intended to be in 3D when it was announced early last year, but now the plan seems to be going for pure 2D.  Make of that what you will... I'm still miffed that Jared Harris is not getting billing as arch-fiend Professor James Moriarty, but that's a small quibble.  What matters is that this trailer sets up a darker, more violent, and more expansive adventure rather than just selling overly broad humor.  Yes, there is some bawdiness, but there is a clear establishing of the grand stakes, along with the implication that Moriarty is racking up a tidy body count in the process.  I wish they hadn't revealed the respective gag at 1:55, but I am glad that they've stopped hiding the fact that Rachel McAdams is indeed returning for this go-around.  While the trailer does seem action-packed, with explosions and gunfire galore, it is heartening to notice that most of the action beats seem to be from two major sequences (a chase/gun-battle in the woods and the train sequence).  I'm also glad to see Eddie Marsan returning as Inspector Lestrade, both because I like the actor and I'm a big proponent of maintaining character continuity for sequels of this nature.  Anyway, this is a far superior trailer to the one that debuted in July, so hopes remain high that the sequel will at least be as good as the rock-solid original picture.  No, Guy Ritchie's Sherlock Holmes wasn't as good as the BBC Sherlock series.  Yes, I'm still allowed to enjoy them both.  Sherlock Holmes: A Game of Shadows opens on December 16th, so as always, we'll see...

Scott Mendelson   

Sherlock Holmes: A Game of Shadows gets two new character posters.

Collider first posted these, but they are pretty self-explanatory.  It will be interesting to see if Warner Bros. releases any more in the coming days, highlight Professor Moriarty (Jared Harris) Mycroft Holmes (Stephen Fry), or Sim (Noomi Rapace).  The cost that comes with casting a character as your prime villain is that you don't get much mileage out of him/her from a marketing standpoint.  Kudos to Guy Ritchie for not just going for the first big star to say yes, but as a result Warner Bros is stuck basically advertising a sequel that offers little in the way of anything different from the first picture.  Ironically, this is the same (relative) problem that Paramount had with Iron Man 2, as it too was stuck with a villain that wasn't quite iconic (Whiplash?) played by that box office-dynamo Mickey Rourke.  Obviously Iron Man 2 opened with $128 million two summers ago compared to the first film's $100 million 3.5-day opening, so something went right. I'm sure Warner Bros. would be thrilled with a similar 28% jump in opening weekend grosses, which would net Sherlock Holmes: A Game of Shadows $79 million over its first three days.  It will be interesting to see if Warner Bros. cuts a second trailer between now and December, and if so if they find a way to sell Moriarty to a mass audience.

Scott Mendelson  

Ridley Scott scraps Alien prequel, goes ahead with original Prometheus.

Fascinating stuff, this is. Just days ago, we heard reports that Fox and Ridley Scott were butting heads over whom to cast as the female lead in the upcoming Alien prequel(s). Ridley Scott wanted Noomi Pace (Elizabeth Salander in The Girl With the Dragon Tattoo), while 20th Century Fox wanted that box office dynamo Charlize Theron. Well, nevermind to all of that, because Ridley Scott and writer Damon Lindelof are instead going with an original story instead, apparently based on a script by Jon Spaihts. Prometheus will be released on March 9th, 2012. Little is known about the project, except that it will have bits and pieces of what might have been the Alien prequel at an earlier point in time. Noomi Pace has been cast as the main character, with bigger-name actresses (Charlize Theron, Angelina Jolie, etc) circling around a major supporting role. Fascinating...