
Yes, this started as deleted material from my
Silver Linings Playbook essay from Saturday. I don't want to get into another 'roles for women' rant, but it's interesting that Jennifer Lawrence may win an Oscar for arguably the first role of her career where she exists purely to support the male lead's arc (even her token girlfriend role in
The Beaver had a character arc for *her*). She has not a single scene in this film where she exists as a character outside of her role as Bradley Cooper's girlfriend/spiritual healer. She is basically a glorified manic pixie fuck toy who exists purely to support the male lead's emotional journey, not fit for even a single scene disconnected from Cooper's story. This parallels the career trajectory of the likes of Shailene Woodley and Blake Lively, solid actresses who did film and/or television work as leads who only earned real acclaim after they took supporting roles in more automatically prestigious 'manly dramas'. Blake Lively was a lead in films like
Sisterhood of the Traveling Pants and the television show
Gossip Girl. But she was written off as a kid-friendly television star before she played a strung-out junkie with romantic feelings for Ben Affleck's oh-so-conflicted bank robber in
The Town. Shailene Woodley was a lead actress in ABC Family's
The Secret Life of the American Teenager, but critics only started taking her seriously once she played supporting fiddle to George Clooney in
The Descendants. It's a great film and Woodley is terrific in it, but would critics have even noticed the picture had it been told from her point of view? I suspect we'll be seeing a lot more of this as the newer crop of child actresses 'come of age'.