
Detention:
Joseph Kahn's genre-twisting and post-modern horror freak-out had the bad luck to open in limited release on the same weekend as the wide release of another somewhat more mainstream self-aware horror exercise. Of course, opening a youth-skewing genre film in limited release is pretty much box office death anyway, since those who might see it won't know to seek out an art-house and those who frequent art-houses aren't going to see a movie like Detention. This future cult classic is a completely whacked-out little film, basically playing the conventions of horror films against the hyper-connected constant-communication age that is today's youth. That's somewhat of a simplistic reading of this film, which blends 90s-era nostalgia with modern-day apathy in a way that comments on both, but I don't want to give away too much. Let's just say the film goes in completely unexpected places in its final half and it's a hell of a ride. Does it all work? Not entirely, but the effort and ambition deserves notice and I can't wait to see what the director of the slightly underrated Torque does next.