2012 in Review... now all in one place!

All of my 2012 in film retrospective essays in one convenient location.  This includes the six 'best/worst' movie lists, the three trend pieces from the last couple months, and the two 'good movies news in 2012' pieces that I wrote back in June which darn-sure still applied over the rest of the year.  Please share, comment, and enjoy.

Scott Mendelson

Good Movie News in 2012: The return of R-rated movies.

Good Movie News in 2012: The return of the "movie".


2012 in Film: Pre-thatrical Video On Demand goes mainstream.

2012 in Film: Audiences show (relatively) good taste.

2012 in Film: The female-driven blockbuster is no longer a surprise, no longer written off as a 'fluke'.


2012 in Film: Good films you probably missed in theaters.

2012 in Film: The Underrated of unfairly maligned.

2012 in Film: The Overrated.

2012 in Film: The Runners-Up.

2012 in Film: The year's "Worst" films.

2012 in Film: The year's "Best" films.

Good movie news in 2012: The return of the "movie".

I've written a bit about this over the last couple years, but this weekend is surely as shining an example as anything about how the mainstream film landscape has somewhat self-corrected.  This weekend sees the release of four wide releases.  We have two R-rated films, one a vulgar (but surprisingly smart) comedy about a talking bear and the other a $5 million indie dramedy about male strippers directing by one of our most successful experimental filmmakers.  We've got a bawdy PG-13 comedy aimed primarily at African-American audiences and a PG-13 star-driven drama.  Ted, Magic Mike, Madea's Witness Protection, and People Like Us are all coming out tomorrow in wide release.  What we've seen over the last year or so and what we will continue to see throughout the remainder of 2012 is the return of what can only be called the old-fashioned 'movie'.  In a time when it seems that every week brings another $150 million male-driven action tentpole based on a comic book or action figure series, a glance at the release schedule shows something very different.  Amid the big-budget animated films (which I generally like), the mega-budget comic book films (which are sometimes very good) and the various remakes and reboots, there exists a plurality of old-school, often star-driven dramas, comedies, and often adult-skewed fare being released by major studios on thousands of screens every weekend.  It seems that Hollywood is getting the message that one cannot subsist on a diet of nothing but tentpoles.

Good movie news in 2012: the return of R-rated movies.

Normally, I wouldn't be one to consider Abraham Lincoln: Vampire Hunter (which to be fair I have not yet seen) as a shining example of a positive trend in movie-going.  But the historical fiction action-thriller may be many things, but one thing it is not is PG-13.  Oh no, it is a mid-summer major studio spectacle that is going out into 3,000+ theaters with an honest-to-goodness R.  Said rating is officially for "violence throughout and brief sexuality".  Whether or not the film could have been edited down to a PG-13 is arguably a moot point.  20th Century Fox spent $70 million (a refreshingly reasonable sum) on a major summer production that was conceived and produced with the intent that it would indeed be R-rated.  And most shockingly, it was not even the only R-rated wide release last weekend, as Focus Features unspooled Seeking Friends at the End of the World in 1,400 theaters.  I've written/ranted for years about how the R-rating became an endangered species for major-studio releases due to the 2001 FEC regulations regarding the marketing of R-rated films, but the tide does seem to be changing over the last couple years.  And it's reached a glorious peak at this very moment, with an avalanche of R-rated wide releases filling up the multiplexes.