Chinese censoring of Cloud Atlas is true truly a real problem.

The news broke yesterday that the Chinese government is censoring Cloud Atlas in advance of its Chinese theatrical exhibition.  That in itself is not a surprise, as the Chinese government has a history of censoring US films.  Usually its a case of material that is deemed insulting/inflammatory/etc. to the Chinese, such as the complete omission of Chow Yun Fat's murderous pirate in Pirates of the Caribbean: At World's End.  Also reported is the fact that Skyfall will run in China with several edits and changes in subtitled dialogue, among other bits omitting a scene where a Chinese nationals are murdered (while Bond sits on his ass and does nothing about it) and changing dialogue involving Javier Bardem's history of being captured and tortured by the Chinese government. Ironically changing Severine from a former child sex slave to merely a member of the mob makes Bond slightly less dick-ish for setting her up for murder, but I digress.  Again, no big deal or at least nothing unusual.  Other countries have different standards of censorship and often change US films when they eventually arrive on respective shores (fun tip: click HERE and do a search for "Teenage Mutant Hero Turtles").  

Weekend Box Office (10-28-12): Skyfall kills overseas as Argo tops four weak new releases.

There were four wide releases opening domestically this weekend and not one of them made any real impact at the box office.  The big news was the overseas debut of Skyfall (review) which opened in the UK two weeks ahead of its US debut.  The 23rd official James Bond film earned a massive $77 million in the 25 markets it debuted in.  The film earned a massive $32 million in the UK alone, for the second-biggest UK debut weekend of all time, behind the 3D-enhanced Harry Potter and the Deathly Hallows part II.  It earned far more initially than Casino Royale ($21 million) and Quantum of Solace ($24 million), setting the stage for a massive US debut and what will surely be the biggest 007 film yet domestic and worldwide.  I don't think it's the best 007 film or that it should be an Oscar contender, but it's a darn good movie and anyone merely wanting a top-flight bit of action will be thrilled with this entry.  I can't imagine it not opening huge and playing for a rather long time, especially as it will be unopposed in the mega-blockbuster department (Twilight Saga: Breaking Dawn II will play exclusively to its fanbase, massive as it is) for a month until The Hobbit part 1 of 30 opens on December 14th.  

A problem from (cinematic) heaven: There are just too many high quality adult movies in the marketplace!

As most of you know, the ambitious and expensive Cloud Atlas will be opening this weekend with around $10 million for the weekend.  Even with Warner Bros. merely on the hook for distribution and marketing and even with the film's $100 million budget covered by foreign pre-sales, this is not a pleasant figure for a rather impressive movie.  There will be finger-pointing and blame to go around over the next few days.  But I would argue that the primary reason for its box office failure is actually a net positive.  In short, Cloud Atlas had the bad luck to open during what can only be called a plethora of adult films.  I've talked quite a bit about the slow and steady comeback of adult cinema in an age of non-stop tentpoles, but there is one downside to the current deluge.  It can be argued that there is actually too much adult product out there in the current marketplace.  And as we all know, a large majority of adult moviegoers aren't quite as frequent as the younger crowd.  The stereotypical adult moviegoer, the one with a family and a job and various responsibilities, maybe only goes to the movies once a month.  And if they went to the movies this weekend, they probably went to see Argo.

Cloud Atlas versus Fun Size and more as John Gosling previews the week's new films (10-26-12).

Cloud Atlas is an adaptation of David Mitchell's sprawling, multi-layered book of the same name. It spans six different time periods, beginning in 1850 and ending in a distant post-apocalyptic future, and covers many aspects of the human condition and the idea of eternal recurrence. Thought to be impossible to translate into a screenplay (something Mitchell himself admitted) due to its complex nature and themes, it came as some surprise when director Tom Tykwer revealed in 2009 that he had begun work on a script for Cloud Atlas with The Wachowski's, who had optioned the rights to the book. This came about when The Matrix duo were shooting second unit on the 2005 flick V for Vendetta, and noticed star Natalie Portman engrossed in the book. After listening to Portman rave over it, both Lana and Andy read it and were equally as impressed. On the look out for a project on which they could collaborate with Tom Tykwer , they urged the German-born director to read it. He too was blown away and quickly joined the project. But commitments on both sides held back work until 2009 (Tykwer was finishing up The International, the Wachowski's were experimenting with Iraq war drama Cobalt Neural 9, a project on which they would not secure funding). By February 2009, the trio assembled in Costa Rica to begin work. 

Review: Cloud Atlas (2012) says little but does so beautifully.

Cloud Atlas

2012
165 minutes
rated R

by Scott Mendelson

At a glance, Cloud Atlas is exactly the kind of movie we say we want from mainstream Hollywood.  It is a grandly ambitious and visually dynamic adventure story, filled with a parade of fine actors and often unexpected plot turns.  It is a piece not about things but about ideas, delivered with high style and in a mostly entertaining fashion.  But if I am honest with myself and with you, I must confess that the many nuggets of wisdom to be found in Lana Wachowski, Andy Wachowski, and Tom Tykwer's sprawling epic don't amount to much.  There is little to challenge the mind and nothing beyond fortune cookie platitudes and the philosophy seems to explicitly apply to the main characters.  But if the philosophy doesn't dig any deeper than "Everything is connected." or "What is an ocean, but a multitude of drops?", the film is indeed a mostly entertaining piece of unconventional popcorn cinema.  There is much to admire and appreciate in the world of Cloud Atlas, even if it doesn't amount to a hill of beans.

Trailer Analysis: Visually dazzling Cloud Atlas seems like the exact sort of ambitious film-making we claim we want.

Wow... just wow.  This went up a few days ago in a bootleg form, but it was worth the wait for the pristine 1080p version.  This is exactly the kind of film that we claim Hollywood lacks the nerve to make and yet here it is.  It's based on an acclaimed science fiction novel.  It stars the likes of Tom Hanks, Halle Berry, Hugo Weaving, Jim Sturges, Susan Sarandon, Hugh Grant, Keith David, Jim Broadbent, and James D'Arcy.  It cost $100 million to make yet looks like it cost $500 million.  It's rated R.  It runs 164 minutes.  For those who claim that Hollywood doesn't make movies for adults anymore, you kinda have a duty to check this out in three months.  Tom Tykwer and the Wachowskis are co-directing this Warner Bros pick-up and it looks pretty spectacular to say the least.  Since I have not read the 2004 book that this film is based on, I cannot say how spoiler-ish this footage is, but considering how under-the-radar this picture is 90 days before its debut, I'd argue that this is a necessary marketing tool to get people talking.  Long story short, this looks spectacular and instantly shoots to the upper-realms of my 'must-see' list for fall/winter 2012.  To be fair my secret wish is for Cloud Atlas to be so good that it causes people to reevaluate the inexplicably undervalued brilliance of Speed Racer and even (to a lesser extent) the Matrix sequels.  Cloud Atlas opens on October 26th.  I suppose 'we'll see', but yeah, go see it regardless.

Scott Mendelson