Review: The Change-Up (2011) would have been better with a PG-13.

The Change-Up
2011
100 minutes
rated R

by Scott Mendelson

I'm not going to do a full-on review, but there are a few things I'd like to touch on.  First of all, the film isn't nearly as bad as many other critics seem to believe, nor is the film nearly as lurid or distasteful as its been advertised (I rather hate the above-poster, but there were no other one-sheet designs to choose from).  In terms of what it's about, it's actually a classical western, in that it primarily concerns the struggle between untamed freedom and orderly civilization.  The film is not as crass as 'gee, I'm shackled to a family while my friend gets to run around boning chicks'.  At its best, the David Dobkin picture hints at a simpler truth: that there are pluses and minuses to every sort of life we choose.  What makes the picture work better that it ought to is that the screenplay by Scott Moore and Jon Lucas (who also wrote the smarter-then-expected Ghosts of Girlfriends Past) gets at the heart of the matter: Two best friends, one with everywhere to be but no time to be there, while the other has all the time in the world and nowhere to be.

Weekend Box Office (08/07/11): Rise of the Planet of the Apes rises to the top, The Change-Up under-performs, Horrible Bosses crosses $100 million while Harry Potter and the Deathly Hallows part II is the #3 global grosser ever..

While not quite as mighty as the first series reboot ten years earlier, Rise of the Planet of the Apes had a muscular debut big enough to easily win the weekend.  Scoring $54 million, the Rupert Wyatt science-fiction drama very-nearly played like an old-fashioned, adult-targeted blockbuster.  It opened on Friday with $19.7 million and dropped just 1% on Saturday and ended with the weekend with a solid 2.74x weekend multiplier.  The film scored an A- from Cinemascore and played 56% male.  It's another solid win for Fox, as the film allegedly cost just $90 million.  It's also pretty darn good, even if I'm not a fan of the last twenty minutes (if I may avoid spoilers, I think the film does itself a slight disservice by attaching itself to the Planet of the Apes franchise).  Even if he'll get little credit, it's a solid win for James Franco, as it's easily his biggest debut outside of the Spider-Man franchise, nearly doubling the $23 million debut of The Pineapple Express on this weekend of 2008.  And after the relative under-performance of Cowboys and Aliens (-56% this weekend, for a $15.7 million weekend and a $67 million running total for a miserable and utterly worthless mediocrity), this is an encouraging sign that you don't need to be 3D to be successful in the big-budget genre marketplace.  Ironically, Fox (home of Avatar) is the first studio this year to have two 2D films opening over $50 million (after X-Men: First Class).  For what it's worth, Rise of the Planet of the Apes scored the fourth-biggest 2D opening of the year, behind The Hangover part II ($87 million), Fast Five ($86 million), and X-Men: First Class ($55 million).