2012 in Film: The Underrated and/or Unfairly Scorned...

Now we continue our 'the films of 2012' lists with another favorite, the Underrated!  And as always, this list won't just be good films that were labeled as 'bad', but also mediocre films that got unfairly pounded, or genuinely bad films that nonetheless deserved credit for one element or another.  If I do decide to compile an overrated list (still not sure, honestly), there is a good chance that many of the films on that list will still be better than many on this list, but I hope dear readers can understand the potential contradiction.  All of the films below are either worth seeing, either because they are in fact good or because they are bad but containing elements of note or are bad in interesting and/or entertaining ways. As always, the following are in alphabetical order.

It's Frankenweenie versus Taken 2 as John Gosling previews the week's new releases (10-05-12)

Along with Tim Burton's Frankweenie and the return of Liam Neeson in Taken 2, last weekend's surprise chart entry, Pitch Perfect expands into wide release. Frankenweenie's origins stretch right back to 1984, when Tim Burton worked at Disney. The young director got his first break thanks to a short film he made while at college, entitled Stalk of the Celery Monster. The short drew Disney's attention, who offered him an animation apprenticeship, where he would work on The Black Cauldron and The Fox and The Hound, amongst others. In 1982, he made his first stop-motion short for Disney, an ode to his childhood hero, Vincent Price. 'Vincent' played the Chicago film festival and was followed up by the director's first foray into live action in the guise of Hansel and Gretel. Burton gave the Grimm fairy-tale a Japanese spin, culminating with the titular heroes in a kung fu battle against the evil witch. The film aired just once and prints have since become so scarce that for a number of years many thought the project was a myth. By 1984, the young director/animator was ready for his next live action short, a tale of a boy whose dog is killed by a car and his attempts to bring it back to life. A homage to Frankenstein, Frankenweenie ended up getting Burton fired from his job at Disney, who felt he had squandered time and money on a film that was too scary for children (It had been set to debut with the re-release of Pinocchio).  

Review: The Paperboy (2012) is a messy and disjointed, but superbly acted piece of southern film noir.

The Paperboy

2012
106 minutes
rated R

by Scott Mendelson

Lee Daniels's The Paperboy is a movie that frankly skirts by purely on the good will of its actors.  The story is pretty much a wash, even if its mundane nature wins points for probable realism.  The narrative is mostly drained of pulse-quickening melodrama, but with little of substance to take its place.  And the third act simply lounges about before halfheartedly building to a seemingly arbitrary conclusion.  Despite all of these demerits, the picture is mostly entertaining, and pretty much full credit should go to its cast.  Nearly every major cast-member is somewhat playing against type, and the film qualifies in the end as a modest acting treat.  It's not a good film and it barely qualifies as a good movie, but as a showcase of some surprisingly nuanced acting, it merits a viewing and a token recommendation.