Showing posts with label The Moonrise Kingdom. Show all posts
Showing posts with label The Moonrise Kingdom. Show all posts

Wednesday, January 2, 2013

2012 in Film: My Favorite movies of the year...

We come to it at last, the great list of our time (err... our year).  Anyway, after plenty of foreplay, it's time to actually rattle off my picks for the ten very "best" films of the year.  As always, these are not the 'objective' "best" films of the year, but merely my out-and-out favorites of the last twelve months.  As always, we'll do the first ten films in alphabetical order, with a final summation for my personal pick for the top film of 2012.  Without further ado, onward and downward!

The Avengers (review/spoiler review):
Unlike a number of blockbusters that I've discussed elsewhere, this one actually got better with repeat viewings.  I nitpicked the first time around, found problems here and there during my initial viewing, but still found it to be a relative triumph of blockbuster film-making.  But upon additional viewings, I began to appreciate the coup that Whedon and company pulled off even more.  The minor problems (a clunky first scene, issues with how a major second act plot twist is handled, the lack of a specific lead character, the lack of a definitive climax) began to fade away into the sheer joy that is The Avengers.  The film is well-acted across the board, including a superb starring turn by Mark Ruffalo who makes Bruce Banner into the most interesting character in the group.  The plotting is relatively basic, but the picture is crackling with wonderful dialogue throughout.  The action sequences steadily improve as the film goes on, and the entire escapade has a casual hugeness ("Oh, we've got a giant invisible flying aircraft carrier?  Why not?") that reminded me of Richard Donner's Superman film (moments that would have been the main event for other blockbusters came off as blink-and-you-miss em action beats here).  The character arcs worked better the second time around, the musical score clicked into place, the second-act plot turn worked in the context of the film as opposed to operating as part of a long-running franchise, and a major character's selfless decision felt right.  The sheer excitement of seeing all of these already established heroes (established both in the comics and the prior films) doing battle side-by-side on a truly epic superhero showdown is only topped by how good it all is.  Whether or not it is a great film will no doubt be endlessly debated, but it is surely a great movie, one that I look forward to watching over and over again over the years.

Sunday, July 8, 2012

Weekend Box Office (07/08/12): Savages debuts well, Katy Perry does not, as holdovers get holiday boost.

I've already allotted five paragraphs to The Amazing Spider-Man, so it's time to discuss the other films.  There were two other wide openers this weekend.  Oliver Stone's Savages debuted on Friday of the holiday weekend, proving to be relatively successful counter-programming.  The $45 million hard-R drug thriller earned $16.2 million.  Considering most of the stars (Blake Lively, Salma Hayek, Taylor Kitsch, Aaron Johnson, and Benicio Del Toro) are not box office draws, the director was the main attraction here.  While supporting player John Travolta probably helped a bit, this was Oliver Stone's unofficial return to gritty, adult-skewing genre fare.  World Trade Center, W., and Wall Street: Money Never Sleeps were exactly kids flicks, but the unapologetic auteur behind Platoon, JFK, and Natural Born Killers hadn't been seen since Any Given Sunday back in 1999 .  As such, it stands as the third-biggest debut of his career, behind World Trade Center ($18 million) and Wall Street: Money Never Sleeps ($19 million).  With a C+ from Cinemascore (it's arguably worse than that, sadly, highlighting boring youngsters over entertaining grownups while being a good 50% longer than it should be), it won't be reaching the heights of Platoon ($138 million) or the $70-$75 million range of Any Given Sunday, JFK, World Trade Center, and Born on the Fourth of July.  Coming anywhere near the $50 million mark (Natural Born Killers) will count as a win for Universal, which probably should have moved this one to July 13th after they moved the unexpectedly successful Ted to June 29th.

Sunday, May 27, 2012

Weekend Box Office: (05/27/12): Men In Black 3 tops Memorial Day while The Moonrise Kingdom slays in limited release.

The Men In Black franchise returned to theaters this weekend after a ten year hiatus and, for better or worse, performed exactly the same as the prior Men In Black films. The first Men In Black debuted with $51 million over the Fri-Sun portion of its July 4th weekend back in 1997 while Men In Black 2 earned $52 million over the same portion in 2002.  To wit, Men In Black 3 earned an estimated $55 million over the Fri-Sun portion of the weekend with a projected $70 million Fri-Mon holiday gross. 3D-bumps and ten years worth of inflation puts a damper on the numbers (in today's respective dollars, the original's debut would be about $88 million while the sequel would be about $71 million), but the consistency is arguably a little remarkable.  It's arguably only a 'dissappointment' due to the unexpectedly high budget of the threequel, which shut down production for six weeks in the middle of filming in order to work out script kinks.  At a cost of anywhere from $220 million to $300 million, Sony was in the unenviable position of needing an 'out of this world' debut (sorry) to justify the expense, and this otherwise hearty haul wasn't it.   Having said that, it's still Will Smith's third-biggest Fri-Sun debut behind his last two blockbusters from 2007 (I Am Legend's $77 million opening) and 2008 (Hancock's $62 million Fri-Sun debut over July 4th 2008).


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