Showing posts with label Chronicle. Show all posts
Showing posts with label Chronicle. Show all posts

Saturday, December 29, 2012

2012 in Film: The Runner-Ups.

As we continue recapping the movies that arguably defined 2012, we move on to what I like to call 'The Runner-Ups'.  These films are all very good if not great.  Either they didn't quite make my 'favorite of the year' list or they aren't the kind of thing that belongs on a traditional best-of-year list (you'll see which ones I'm referring to below).  Anyway, consider this a 'great films that aren't among the very best but I darn-well wanted to highlight them' list.  As always, the films below are in alphabetical order.  Without further ado...

Argo (review):
In a year where old-school big-studio genre films for adults solidified their comeback, this Ben Affleck political period piece is the defining example of everything going right.  It cost just $45 million, so it didn't need to be a massive hit to make a profit, but a massive hit it was.  With around $105 million at the domestic till so far, it's among the year's top Oscar contenders, and I still have an inkling that Ben Affleck is going to walk away with the Best Director statue this year (the somewhat false 'comeback kid' narrative is too good to resist).  Argo, concerning a true story of the CIA's attempts to rescue six Americans trapped in Iran during the embassy hostage crisis of 1979, is a pretty terrific film through-and-through.  The only reason it doesn't rank higher is that it's really not about anything other than itself.  It's a caper film, a procedural, but with no attempts at any additional relevancy.  That's not a bad thing per-se, but it arguably prevents the film from being anything other than a terrific piece of old-school moviemaking.  That's not exactly an insult, as it's still a top-notch piece of meat-and-potatoes entertainment.

Sunday, February 5, 2012

Weekend Box Office (02/05/12): Chronicle and The Woman In Black both debut to around $20 million while Big Miracle tanks.

As I wrote yesterday (HERE), I don't care which of the two big releases end up at number one for this weekend.  Chronicle and The Woman In Black are both low-budget over/under $15 million releases that are somewhat abnormal in terms of what's considered a mainstream release, both were exceedingly well-marketed (as opposed to 'saturation marketing'), and both are unqualified hits after their first three days.  But since I have to choose which film to discuss first, I will pick Chronicle (review), which A) I've seen and B) is the unofficial #1 film this weekend with $22 million (as opposed to The Woman In Black, which made 'just' $21 million).  Chronicle announces the arrival of director Josh Trank (and writer Max Landis, son of John).  The quite compelling and thoughtful character study, which is plays with the genre trappings of as super-hero origin story through the 'found footage' format, cost just $12 million and drew a large chunk of young audiences of both genders (it played 45% female).  I have no idea what the legs will be like on this downbeat morality play (it received a B from Cinemascore), but I'd argue its artistic and box office success pretty much kills Warner Bros's planned live-action Akira remake and hurts Sony's The Amazing Spider-Man (which is advertising itself as a more low-key and emotionally-gritty superhero origin story... whoops).  Come what may, a very good and creative little movie just opened very well, and that's a win for everyone.


Saturday, February 4, 2012

I don't care whether Chronicle or The Woman In Black tops the box office, and here's why you shouldn't either...

With a neck-and-neck opening Friday, two of the three major wide releases both look like they will end up with around $20 million over the Super Bowl weekend.  Both Chronicle and The Woman In Black had budgets around $15 million and targeted ad campaigns, meaning that a $20 million debut makes both films pretty solid hits right out of the gate.  But many of the box office pundits are of-course obsessing over which film will be #1 for the weekend, offering up-to-the-minute updates as to which of the two films is in the lead over the ongoing weekend.  For example, Exhibitor Relations tossed out a Facebook post stating that "Chronicle is holding off The Woman In Black again today, up by about 500k, but the lead could shrink tomorrow. Still too close to call."  I've written now and then about how the spin and 'campaigning' in mainstream Hollywood is similar to the political scene in Washington DC, and it certainly applies in this case.   Like many of the political primaries being waged all over the country in the race for the Republican presidential nomination, weekend box office is not a winner-take-all proposition.  Just as most states' (38 out of 50) delegates are divided up based on percentage of total votes for a given candidate, the film that takes the number 01 spot does not get all of the ticket sales for the weekend.

Friday, February 3, 2012

Review: Chronicle (2012) is a compelling character drama, a visual dazzler, and a thoughtful deconstruction of the 'chosen hero' myth.

Chronicle
2012
83 minutes
rated PG-13

by Scott Mendelson

I've written a lot over the last couple years about how, if superhero films are going to survive, they are going to have to be able to be about something other than the generic tropes of superhero comic book adventures.  Captain America excelled because it was a World War II period action drama, while Green Lantern mostly faltered because it wasn't about anything other than its own conventions.  Chronicle (written by Max Landis and directed by Josh Trank) is a shining example of a powerful emotional tragedy that involves certain comic book conventions without really being about them.  At heart, the picture is a fierce rebuttal of the now-cliche 'with great power comes a superior destiny' motif that has been central to the last ten years of big-budget fantasy pictures, both those based on comics and those based on young-adult fantasy novels.  More than just a deconstruction of fantasy tropes, Chronicle is a thoughtful and empathetic story of  three disparate teens who end up with special powers and how it does or does not change them.

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