Showing posts with label nostalgia. Show all posts
Showing posts with label nostalgia. Show all posts

Monday, March 5, 2012

So we're getting a Muppets sequel! Why part of me wishes we weren't...

I'm actually a little surprised.  Yes the The Muppets opened with $42 million over five days and yes the film cost only $45 million to produce, but it wasn't exactly a box office firestorm.  The Muppets ended up with $88 million in the US (not even a 3.0x multiplier off its $29 million Fri-Sun opening) and $156 million worldwide.  That's a strong result, but considering the advance press and the solid opening, I think we were all expecting something a little bigger in the end, especially considering how good the movie turned out.  In truth, I'd argue that the reason it didn't truly break out is that it was more for the adults that loved the Muppets than kids who Disney was trying to hook on the property.  It is a bittersweet and often somber drama, filled with just as many lumps in the throat as belly laughs.  I've seen the film twice, and both times it was the grownups who were captivated while the kids squirmed in their seats.  Still, Disney's not one to turn away any would-be franchise that didn't lose tons of money, so they are indeed pressing ahead with a film sequel to The Muppets, with the key caveat being that Jason Segel won't be co-writing it this time.  Director James Bobin and original co-writer Nicholas Stoller are returning, but Segel is apparently too busy to commit to anything right now.  Come what may, he may have the right idea.  

Friday, December 16, 2011

Sadly appropriate. Why The Artist 'deserves' to win at this year's Oscars.

Barring a box office blow-out by War Horse or The Girl With the Dragon Tattoo, and/or stunningly good reviews for the still-hidden Extremely Loud and Incredibly Close, it does look like this year's Oscar race is all-but finished, with the presumptive winner being The Artist.  And I can think of no more fitting choice.  No, I don't think it's the best film of the year. I don't even think it's very good (review).   The reasons I don't like it are ironically why it makes tragic sense to anoint it as the 'film of the year' in 2011.  It is, I'll presume accidentally, indicative of much of what ails the entertainment industry at this very moment.  It celebrates what is hurting the industry, so it makes sense that the industry would celebrate it in turn.  

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