2008
093 minutes
Not Rated
by Scott Mendelson
I’ve said this before, but one of the worst parts of dying in a violent fashion is that the focus of your entire life often becomes the sensationalistic manner in which you died, rather than the scope of how you lived. For those who died in famous acts of violence (Columbine, 9/11, Jones town, etc), the manner in which they met their end becomes the focal point of discussing their existence.
Dear Zachary: A Letter to a Son About His Father began as a project to remedy that situation for at least one victim of violence. When Dr. Andrew Bagby was murdered by an unstable ex-girlfriend in 2001, his friend, filmmaker Kurt Kuanne, decided to make a documentary about his slain friend. He began traveling all around the country to interview friends and family, to record memories, anecdotes, and thoughts about this completely normal man who touched so many lives in small, subtle ways. The film took on a different primary purpose when it was revealed that Andrew’s alleged murderer was pregnant with Andrew’s child. Now Kuanne’s film would be a living, breathing document chronicling the life of Andrew Bagby, intended for Zachary, the son who never got to meet him.
The film’s overall result is a document of towering, devastating emotional impact. Much of the testimonials come from David and Kate Bagby, as they struggled to deal with a grindingly slow Canadian justice system (or, to be fair, a judge or two who made a couple unsound rulings), as Shelly remained free on bail and thus able to negotiate custodial demands for her newborn son. Key moments include the Bagbys not being allowed into the room where Zachary has just been born, and the awkwardness of making nice with the woman who apparently killed their son, for the sake of maintaining a relationship with their grandson.

Aside from the legal dramatics, the core of this story remains David and Kate Bagby being forced by circumstance into an unimaginable situation. At a key moment, David weighs the logistics of choosing to murder Sherry and take Zachary away, reasoning that, even if he was caught and jailed, Zachary would be raised by Kate Bagby. Their grief and sorrow are the lynch pins of this film. By the end, the film is as much a testimonial to Andrew’s parents as it is to Andrew himself.

Grade: A
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