Showing posts with label Red. Show all posts
Showing posts with label Red. Show all posts

Monday, January 17, 2011

Summit commissions a script for a Red sequel. Who should be added to the cast?

Collider is reporting that Summit Entertainment has hired Jon and Erich Hoeber to pen a sequel to their hit comic book adaptation Red. As you recall, the film opened to around $22 million in mid-October and stuck around seemingly forever, ending up with $90 million in domestic grosses and $164 million worldwide. In an age where every film seems targeted younger and younger, Red was a diamond in the rough, a spy-comedy that was all about the older generation. It was, at its core, an action comedy/romantic caper starring Bruce Willis and Mary Louise-Parker, but it had scene-stealing supporting turns for Helen Mirren, John Malkovich, Brian Cox, Morgan Freeman, Richard Dreyfuss, and Earnest Borgnine. It's easily the studio's biggest hit outside of the Twilight Saga and ripe for sequel potential as most of the main cast members are still alive by the time the credits roll. Alas, news of this sequel makes it all the more unfortunate that a certain major actor was killed off around the halfway mark, as he was shockingly underused considering his genuine popularity and star power (no spoilers, but Space Cowboys). Still, one of the key pleasures of Red was the sheer delight of seeing one beloved character actor after another pop up. On that note, the best thing a sequel can accomplish (aside from giving Mary Louise-Parker more to do this time around) is bring another set of beloved vets a chance to play in the action-comedy sandbox. A few random picks:

Sunday, November 21, 2010

Weekend Box Office (11/21/10): Harry Potter and the Deathly Hallows part I scores $125 million. Next Three Days tanks.

I don't generally like to brag, but my math yesterday concerning a likely poor weekend multiplier for the seventh Harry Potter film was dead-on. After opening with $24 million in midnight showings, the film pulled in $61 million on its first day, and just $38 million on its second, which was a 39% drop. In other words, it pulled in on Saturday almost EXACTLY what it pulled in on Friday without those midnight screenings. Said Friday-to-Saturday drop will put it squarely in the top-ten for the biggest such plunges. The actual weekend estimate is $125 million, which gives the series both its biggest three-day opening weekend and its lowest weekend-multiplier ever (2.04x). It also makes Harry Potter and the Deathly Hallows part I the most front-loaded midnight movie ever for its opening weekend, as it did 19% of its weekend business on 12:01am showings (go here for a rundown of notable midnight numbers). The good news is that Harry Potter and the Deathly Hallows part I scored the sixth-biggest opening weekend of all time. The bad news is that it also scored the sixth most front-loaded opening weekends in history as well. Is that a box office equivalent of a palindrome?

Sunday, November 14, 2010

Weekend Box Office Review (11/14/10): Megamind repeats, Unstoppable opens strong, Morning Glory underwhelms.

Megamind was at the top of the box office for the second (and final) time this weekend. The second super-villain animated film the year took in another $29.1 million. The 36% drop was less than the 41% drop for Despicable Me's second weekend (which was $32 million), but the latter had $118 million by day ten while Megamind has grossed $88.8 million at the end of its second weekend. Among other Dreamworks titles, Megamind had a slightly higher second weekend than How to Train Your Dragon ($29 million), but it lags $3 million behind in ten-day totals thus far. Megamind is chasing the $198 million total of Monsters Vs. Aliens. It's $15 million behind after two weekends. Whether it approaches the $180 million gross of Madagascar 2 or the $155 million final take of Over the Hedge is a matter of how well it can withstand the blinding white heat of Harry Potter and the Deathly Hallows part I.

Sunday, November 7, 2010

Weekend Box Office Review (11/07/10): Megamind, Due Date, For Colored Girls open well, 127 Hours explodes in limited release.

There weren't a lot of surprises at the box office this weekend. Megamind opened right in line with most Dreamworks animated originals, with $46 million. The standard for non-sequels in the Dreamworks cartoon library is $43-47 million. Opening just below A Shark Tale ($47.6 million) and Madagascar ($47.2 million), the supervillain epic has the fifth biggest opening for a non-sequel in the Dreamworks animation catalogue, also behind Monsters Vs. Aliens ($59.3 million) and Kung Fu Panda ($60.2 million). It was their ninth-biggest animated opening overall. More impressive was the 3.68x weekend multiplier, which is one of their biggest weekend multiplier in recent memory.

Sunday, October 31, 2010

Weekend Box Office (10/31/10): Saw 7 3D rules over one last Halloween weekend.

The Saw series has been a Halloween weekend custom of sorts for the last six years. It debuted in third place on Halloween weekend 2004, where it opened with $18 million behind the second weekend of The Grudge and the opening weekend of Ray. From 2005 until 2009, Saw ruled the annual Halloween roast, with $30-33 million opening weekends in the Halloween or pre-Halloween weekend. Last year, it didn't quite go as planned. Fueled by viewer antipathy over the dull and listless Saw V, and the wide-release of the slow-building Paranormal Activity, Saw VI (ironically the best film in the Saw series) crumbled over the weekend before Halloween, opened with just $14 million before ending with just $27 million. This year, Lionsgate went back to the safety of Halloween weekend, and declined to open directly against Paranormal Activity 2. With ads (trailer 1 and trailer 2) touting the 3D gimmickry and alleging that Saw VII would be the final chapter in the series, could the long-running franchise regain some of its lost box office luster. The answer? Not really...

Saturday, October 23, 2010

Friday Box Office (10/22/10): Paranormal Activity 2 grosses $20.1 million while Clint Eastwood's Hereafter grosses $4.1 million.

After scoring a record $6.3 million in midnight showings alone, Paranormal Activity 2 ended its first day with $20.1 million. For what it's worth, that means that Paranormal Activity 2 had one of the lowest 'midnight-to-opening day' multipliers in history. Only Harry Potter and the Half-Blood Prince ($22m midnight/$58m opening day), The Twilight Saga: New Moon ($26m/$72m), and The Twilight Saga: Eclipse ($30m/$68m) had a larger percentage of their opening day grosses from their respective midnight debuts. So there's a good chance that this horror sequel will end up just as front-loaded as, ironically, the Saw sequels. Still, a $3 million sequel with minimal advertising just scored $20 million in a single day, or about what the original made on its first weekend of wide release ($21 million) exactly a year ago. I'm sure no one at Paramount is shedding tears over the math regarding midnight sneaks. The film bested the $14.8 million opening day of The Ring Two (the previous record holder for supernatural horror), and scored the biggest opening day in history for an R-rated horror film. 2.2x weekend multiplier would give the picture about $45 million, which sounds about right. Anything above $39.1 million would top The Grudge and give Paranormal Activity 2 the biggest opening weekend for a supernatural horror picture.

Sunday, October 17, 2010

Weekend box office (10/17/10): Jackass 3-D sets October, documentary records, while Red opens strong.

Jackass 3-D grossed a whopping $50.3 million in its debut weekend, setting several records and setting punditry tongues wagging in the process. First of all, the film bested the $48.1 million opening weekend for Scary Movie 3 in 2003, taking the October opening weekend record. Second of all, the opening figure is far and away the best opening weekend for any kind of non-fiction/documentary film in history. If you count this series as a documentary franchise (which I do), then the third entry is now the fifth-highest grossing documentary in history in just three days. It stands behind Jackass: The Movie ($64 million), Jackass Number Two ($72 million), March of the Penguins ($77 million), and Fahrenheit 9/11 ($119 million). While the franchise has mediocre legs (part one had a 2.9x weekend-to-total multiplier in 2002 and part two had a 2.4x multiplier in 2006), thus making $100 million+ not quite a sure thing yet, there is little doubt that the film will end its domestic run as the second-highest grossing documentary/non-fiction film of all time. Still, 3-D films seem to have better legs than average (witness the useless My Soul to Take dropping just 54% in weekend two, as well as the inexplicably strong holds of Legends of the Guardians, now at $46 million), partially because they keep the bigger auditoriums for longer periods of time. If it can manage a mere 2.4x multiplier, it will in fact surpass the Michael Moore anti-Bush epic.

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