Showing posts with label Four Lions. Show all posts
Showing posts with label Four Lions. Show all posts

Monday, December 27, 2010

2010 in Review: Good Movies You Missed.

Let us continue our look back at the year in film with a token acknowledgement of eleven good if-not great films that flew by the radar without much acknowledgment from audiences and/or the critical community. For the record, not all of the films below are great pictures, but they are all worth a look and deserve a bigger audience than they received. The following are in alphabetical order.

Agora
This expensive and lavish period piece came and went without a peep, but it remains a thoughtful and socially relevant piece of history. Rachel Weisz gives a solid star turn as Hypatia of Alexandria. As a rare educated female who holds esteem over many of her male colleagues, Hypatia's gender is refreshingly irrelevant, until it's all that matters. The film concerns the rise of Christianity in Roman Egypt, and it deals rather objectively with the dangers of fanaticism and extremism in all faiths. It eerily draws parallels to modern day religious fundamentalism while acknowledging that the East and the West have a nasty habit of inciting those who would lash out in retribution. It's a piece of forgotten history and a darn good movie to boot. R-rating aside, this would be just the kind of film to be shown in classrooms, be it for would-be historians (better to pick out whatever factual inaccuracies that I didn't notice) or future mathematicians.

Wednesday, November 3, 2010

Review: Four Lions (2010)

Four Lions
2010
97 minutes
Rated R
Opens in limited release on November 5th

by Scott Mendelson

At the beginning of 2009, the online magazine Slate did a comprehensive series basically asking the question "Why haven't we been attacked by terrorists again since 9/11?". It was a series of eight essays running down eight specific theories, ranging on the scale of 'worry a little' to 'worry a lot'. At the head of the 'worry a lot' scale was the idea that it was merely a matter of time before we took another 9/11-size hit on American soil. On the polar opposite was the idea that well, terrorists has a whole are not very bright. Sure, 19 hijackers got past several layers of security and took over planes with common box cutters (and then took advantage of the prevailing wisdom that hijackings usually ended with minimal bloodshed and eventual surrender), but that was more about American intelligence falling short than Al Qaeda being made up of master criminals. Chris Morris's Four Lions plays off this idea for its inherent comic potential. It works surprisingly well, because it dares to not obsess over the inherently daunting idea of laughing at those who wish to kill us.

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