Press Release: Disney announces release date for Captain America 2.

The Walt Disney Studios has announced a release date for Marvel Studios’ sequel to the blockbuster Captain America: The First Avenger on April 4, 2014.  The second installment will pick-up where the highly anticipated Marvel’s The Avengers (May 4, 2012) leaves off, as Steve Rogers continues his affiliation with Nick Fury and S.H.I.E.L.D and struggles to embrace his role in the modern world.

So now it appears that the studios are attempting to begin the unofficial summer season as early as April, thanks to the huge late-March business generated by The Hunger Games, along with the last two Fast/Furious entries, which pulled in blockbuster numbers in early-April 2009 and late-April 2011 respectively.  The last sentence seems to dispel any hope that a sequel would somehow primarily take place in the 1940s/World War II-era, although I wouldn't be surprised to see a story that blended flashbacks to Rogers's war efforts with a present-day story (it might be too soon to play the 'Winter Soldier' card, but I imagine that will pop up eventually).  Anyway, nothing more to report here.  I suppose the next step is to find a director, as Joe Johnston will apparently not be returning (which is a damn shame, but I digress).  Among those 'on the list' are F. Gary Gray (yay!), The Adjustment Bureau's George Nolfi (boo!), and Community directors Anthony and Joseph Russo (Sure, why not?).

Scott Mendelson

Waited for DVD: The Adjustment Bureau - Free will is terrific, except when it's really destiny in disguise.

The Adjustment Bureau
2011
105 minutes
rated PG-13

by Scott Mendelson

There are any number of movies that make less sense after you think about them then they did as you were watching them.  But The Adjustment Bureau is not only a movie that makes little sense as your watching it, but basically betrays its own philosophy in the process.  Since this is a DVD review, I'm going to be more spoilery than I otherwise would be for a pre-theatrical glance.  There are three major problems with the picture that render the well-intentioned romantic thriller relatively useless as both an emotional entertainment and as an intellectual exercise.  So, if I may forgo the usual plot synopsis, let me cut to the chase...

Weekend Box Office (03/06/11): Two openers (Rango and Adjustment Bureau) win, two openers (Beastly, Take Me Home Tonight) lose.

Paramount released its first non-Dreamworks cartoon in nearly five years this weekend. And indeed, the number one film by a long shot was Gore Verbinski's Rango (teaser/review). The critically-acclaimed and nearly-existential Johnny Depp vehicle grossed $38 million over the three-day weekend. That's the biggest opening for a Paramount animated feature not from Dreamworks, although it's slightly behind in attendance compared to the $32 million opening of The SpongeBob SquarePants Movie back in November of 2004. Paramount's animated fare has been exclusively Dreamworks since the August 2006 release of Barnyard: The Original Party Animals. Since they acquired Dreamworks in early 2006, they've basically been just releasing the Katzenberg cartoons. But prior to that, they actually had a good thing going with Nickelodeon, although they have released a few Nickelodeon live-action co-ventures over the last few years (Charlotte's Web, Hotel For Dogs, etc). This will hopefully mark the return of Nickelodeon-funded animated features. Can't let Disney have all the fun.

Guest Review: The Adjustment Bureau (2011)

As happens from time to time, a reader and collegue was able to attend an early screening of an upcoming release and was willing to send his thoughts along. This time, Brandon Peters offers a spoiler-free look at The Adjustment Bureau, which opens this Friday.

The Adjustment Bureau
2011
99 minutes
PG-13

by Brandon Peters

The Adjustment Bureau is an adaptation from the Philip K. Dick short The Adjustment Team. A Philip K. Dick fan am I, however I have not read any of his shorts collections. So, I cannot supply comparisons to the source material. While The Adjustment Bureau is not quite a film spawned from Dick’s works like Blade Runner, Total Recall or A Scanner Darkly, it is nowhere close to the likes of Next or Imposter.

When the MPAA spoils the movie: Rated 'Annoying' for overly descriptive ratings explanations.

While The Adjustment Bureau looks like a pretty mediocre movie on its own, there is now yet another reason it may not be worth checking out. Judging from the trailer, much of the film seems to involve Matt Damon dragging Emily Blunt by the hand as they outrun a bunch of black-suited men who basically want to tune their fates. Yes, it's another movie where the girl is apparently incapable of running away from danger by herself, even when she's a professional ballet dancer. But I digress... the film is theoretically a suspense picture, so we're theoretically supposed to be in suspense when Damon and Blunt attempt to escape their nefarious pursuers. But I won't be. Not because I do or don't care whether or not Damon screws over the ambitions and dreams of a girl he barely knows because he thinks she's pretty. No, it's because, thanks to the MPAA, I know that no harm will actually befall them. The Adjustment Bureau is rated PG-13 for "for brief strong language, some sexuality and a violent image". Yes, just one violent image in the whole movie. So cheer up Damon and Blunt, you're probably going to be just fine.

The Adjustment Bureau gets two awful posters.

These may be two of the lamest pieces of poster art in a long time. Aside from the fact that Emily Blunt apparently cannot run without the help of Matt Damon (she plays a ballet dancer, which means she's probably in much better shape than he is), the entire layout looks poorly photoshopped and not the least bit serious. If this movie is somekind of jokey nod to Hitchcock's man-on-the-run thrillers, then so be it. But the trailer seems to be selling this as a serious thriller. I don't think anyone can look at these posters, especially the tall one with its 'okay, pose for the camera and pretend to run... now!' character shots, and do anything but giggle. Poster fail.

Scott Mendelson