Showing posts with label Roger Moore. Show all posts
Showing posts with label Roger Moore. Show all posts

Tuesday, October 30, 2012

James Bond 007: Movie Deathmatch

This a very cool little video pitting Bond against Bond.  I completely admire its extremely unbiased approach (SPOILER: Connery doesn't always win).  Bravo to whoever put this together as it plays rather seamless.  Its short, but I could have enjoyed probably 20 minutes of this.  Skyfall opens Friday November 9th in the states and I'm rather excited for it.  Hopefully I'll be able to catch it in IMAX.  Scott's already seen it and you can find his thoughts here.  

If you've got any cool (well-made) Bond videos like this you'd like to share, feel free to throw them my way.  I'd enjoy seeing them.  Thanks to Ty for bringing this to my attention.

Brandon Peters

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Friday, October 26, 2012

Brandon Peters's 007 series retrospective final analysis part 2.

This is the end.  Hold your breath and count to ten.  After three months of extensive and rather superb retrospective reviews of every single 007 film that's been currently released since 1962, it all comes down to this.  What follows below is Brandon Peter's final analysis, split up into two sections. Part one is HERE.  Part two is a critical ranking of every single film, complete with links to his respective essays, so you can all argue in the comments section.  Following that is my actual review of Skyfall, which I saw on Monday night was holding off on reviewing until Brandon had his say on all that had come before.  Expect said review to drop later this afternoon.  And yes, once Brandon sees Skyfall (hopefully in IMAX, as it really should be seen in said format), he will offer his take on this site as well.  But for now, let's all dive in and see how the chips fall.  As always, share your thoughts in the comments section below (for what it's worth, I rather agree with probably 90% of the rankings, at a glance).  At the very least, you should give him a hearty thanks for crafting this rather fantastic ongoing series.  We look forward to whatever Mr. Peters decides to contribute from this point on and look forward to his adventures in the Great Valley.

Wednesday, October 24, 2012

Brandon Peters's 007 series retrospective final analysis part 1.


This is the end.  Hold your breath and count to ten.  After three months of extensive and rather superb retrospective reviews of every single 007 film that's been currently released since 1962, it all comes down to this.  What follows below is Brandon Peter's final analysis, split up into two sections.  Part one, which deals with favorite characters, favorite villains, and the like, is below.  Part two, which is a critical ranking of every single film, will hopefully follow in the next couple days.  Following that is my actual review of Skyfall, which I saw on Monday night but am holding off writing about until Brandon finishes his series.  And yes, once Brandon sees Skyfall (hopefully in IMAX, as it really should be seen in said format), he will offer his take on this site as well.  But for now, let's start the end game for this epic 007 retrospective.  As always, share your thoughts in the comments section below.

Friday, October 19, 2012

Next time you're bored at the office: A full length audio commentary for Moonraker...


Aaron Neuwurth, on whose fine podcast (Out Now with Aaron and Abe) I occasionally guest, was an early fan of Brandon Peter's nearly-complete James Bond retrospectives.  As such, he invited Brandon and I on to participate in a handful of 007 audio commentaries.  We've done three as of now, having just recorded GoldenEye two nights ago.  But until that one, please enjoy this enjoyable and information-packed chit-chat for one of the most inexplicably underrated 007 adventures, Moonraker.  That's right, Moonraker.  Long story short, it's a rather compelling and dark little Roger Moore film that gets unfairly maligned purely due to the final 15-minutes or so set in space.  It's actually one of Moore's better entries.  Don't believe me?  Give it a watch and a listen.

Scott Mendelson

Saturday, September 22, 2012

Brandon Peters dissects the 007 series part 14: A View To A Kill

With Skyfall dropping in theaters in just a couple months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the fourteenth entry, with a full review of  my wife's favorite 007 picture, A View To A Kill (no, that's sadly not a joke). I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a possible guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should. Without further ado...

A View To A Kill
1985
Directed by: John Glen
Starring: Roger Moore, Christopher Walken, Tanya Roberts, Grace Jones, Patrick Macnee
Rated PG

“What a view…”

“…to a kill!”

                        ~May Day, with Max Zorn finishing the sentence

STATS
Kills: 7
Girls:  Stacey Sutton, May Day, Pola Ivanova, woman in glacier sub
Car:  1984 Chevrolet Corvette
Locales:  Siberia, France (Paris & Chantilly), San Francisco
Odd Villain Trait:  May Day is a brute…woman
Song:  “A View to A Kill” performed by Duran Duran

A View To A Kill is the concluding chapter in the twelve- year era of Roger Moore as James Bond 007 and a Mendelson family classic.  Also bowing out in this adventure is Lois Maxwell as Miss Moneypenny, ending a 23 year/14 film run in the role.  The film proves to be a step up from Octopussy, but doesn’t quite bring about a completely satisfying result.  The film does deserve some credit for really wanting to go all in and find some originality, but can’t quite execute to bring the potential to fruition.

Saturday, September 15, 2012

Brandon Peters dissects the 007 series part 13: Octopussy.

With Skyfall dropping in theaters in just a couple months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the thirteenth entry, with a full review of  Octopussy. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a possible guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should. Without further ado...


Octopussy
1983
Director:  John Glen
Starring:  Roger Moore, Maud Adams, Louis Jordan, Desmond Llewelyn, Kristina Wayborn
Rated PG

You must be joking! 007 on an island populated exclusively by women? We won't see him till dawn!
                        ~Q

STATS
Kills: 10 + unknown amount in a hangar explosion
Bond Girls:  Octopussy, Magda
Car:  Bond steals an Alfa Romeo GTV6
Locales:  India, West Germany
Odd Villain Trait: Gobinda, a big strong muscle man who wears a turban
Song:  “All Time High” performed by Rita Coolidge

Octopussy marks a complete step in the opposite direction of its predecessor.  Gone is the gritty reality and in comes the goofball.  On paper, Octopussy could have been a notable achievement in the series.  In execution, Octopussy is an effort fueling the Roger Moore era as a laughing stock or embarrassment in the series.  Soviet General Orlov, exhiled Afghan prince Kamal Khan and jewel smuggler Octopussy are running a series of Faberge Egg purchases and swapping them with fakes.  Somehow this winds up in Orlov and Khan plotting to set off a nuclear warhead at a US Air Base in West Germany during a circus, making it look like the US did it themselves.  James Bond is on the job, per usual, filling in for 009 who is killed after recovering one of the fake eggs from the circus.

Wednesday, September 12, 2012

Brandon Peters dissects the 007 series part 12: For Your Eyes Only

With Skyfall dropping in theaters in just a few months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the twelfth entry, with a full review of the 'back to basics' spy thriller, For Your Eyes Only. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a possible guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should. Without further ado...


For Your Eyes Only
1981
Director:  John Glen
Starring: Roger Moore, Julian Glover, Carole Bouquet, Chaim Topol, Cassandra Harris
Rated PG

Think twice 007, it’s a long way down.
            ~looks like him, talks like him, dresses like him, but isn’t credited as Blofeld

STATS
Kills: 14
Girls:  Melina Havelock, Countess Lisl von Schlaf, Bibi Dahl
Car:  the Lotus from SPY returns, is blown up and replaced with 1981 Lotus Espirit Turbo
Locales: Greece, Italy
Odd Villain Trait:  Erich Kriegler – another rendition of big strong blonde brute
Song:  “For Your Eyes Only” performed by Sheena Easton

Moonraker was a massive success for the 007 franchise.  It was the highest grossing film of the series (w/o adjusting for inflation) making over $200 million worldwide, locking down the series for some more longevity.  Moonraker was a huge film and took Bond to some extraordinary limits (outer limits, if you may).  For Your Eyes Only grounds Bond back in reality and attempts to take it back to the feel of some of the older entries.

Thursday, September 6, 2012

Brandon Peters dissects the 007 series part 11: Moonraker

With Skyfall dropping in theaters in just a few months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the eleventh entry, with a full review of one of the most underrated films in the franchise, Moonraker. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a possible guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should. Without further ado...

Moonraker
1979
Director: Lewis Gilbert
Starring: Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel
Rated PG

Well, here’s to us.
            ~ Jaws ?!?!?!

Kills:  16 + 1 Boa Constrictor
Girls:  Holly Goodhead (take a drink every time they say her name before you even are introduced to the character), Corrine Dufour, Manuela
Cars:  Inflatable Gondola
Locales:  California, Venice, Rio de Janeiro, OUTER FRICKIN’ SPACE
Odd Villain Trait:  Jaws (see Who Loved Me, Spy), Chang is…Asian?
Song:  “Moonraker” performed by Shirley Bassey

Since Star Wars did “ok” at the box office, we’re now on to the much maligned Moonraker.  There was a sci-fi surge in the late 70s and of course the 007 franchise jumped on it.  This shouldn’t come as a surprise to anyone, but for some reason this film still gets flack for going this route.  The 70s Bond had already visited the kung fu and blaxploitation genres.  I remind you the series began as wanting to be Hitchcock infused films.  So I ask, why not try science fiction?  The 007 series certainly features outlandish gadgets and villain bases so it seems even more sci fi fitting than blaxploitation and kung fu.  Whether it works or not is beside the point of discussion, Moonraker should not be discounted for the fact that it and other major studios decided to venture into sci fi.  Did we discredit Sony’s Spider-Man coming in the wake of Fox’s X-Men?

Tuesday, September 4, 2012

Brandon Peters dissects the 007 series part 10: The Spy Who Loved Me.

With Skyfall dropping in theaters in just a few months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the tenth entry, with a full review of one of the very best films in the franchise, The Spy Who Loved Me. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should, as I can only hope for robust discussions in the comments section. Without further ado...


The Spy Who Loved Me
1977
Director:  Lewis Gilbert
Starring:  Roger Moore, Barbara Bach, Richard Kiel, Curt Jurgens, Desmond Llewelyn
Rated:  PG

All those feathers and he still can’t fly.
                        ~James Bond

STATS
Kills: 18 + unconfirmed amount in the control room bombing
Girls:  Anya Amasova, “Log Cabin Girl”, random “Arab Beauty”
Car:  Lotus Esprit
Locales:  Egypt, Sardinia
Odd Villain Trait:  Jaws is a giant with a set of metal teeth
Song:  “Nobody Does It Better” performed by Carly Simon


The Spy Who Loved Me delivers one of, if not the, ultimate James Bond films.  Plot driven with big scale action scenes, memorable villains, a fantastic song, cool gadgets, stunts, a highly complimentary score, Bond heroics and a beautiful female who can go toe-to-toe with 007 all come gelling together in this fun and exciting 70s spy thriller.  While the previous three entries were rather tame and almost like elongated television episodes in spectacle, The Spy Who Loved Me isn’t afraid to be ambitious and completely go for it.  The production team really doesn’t hold back on what is one of the highest points in the 007 series.

Friday, August 31, 2012

Brandon Peters dissects the 007 series part 09: The Man With the Golden Gun


With Skyfall dropping in theaters in just a few months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the eigth entry, with a full review of one of the very worst films in the franchise, The Man With the Golden Gun. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should, as I can only hope for robust discussions in the comments section. Without further ado...

The Man With The Golden Gun
1974
Director:  Guy Hamilton
Starring:  Roger Moore, Christopher Lee, Maud Adams, Britt Ekland, Herve Villechaize
Rated PG

A duel between titans…my golden gun against your Walther PPK.
                                ~Francisco Scaramanga

It is obvious that this contest cannot be decided by our knowledge of the force, but by our skills with a lightsaber.
                                ~Count Dooku

STATS
Kills: 1!
Bond Girls:  Mary Goodnight, Andrea Anders
Car:  AMC Hornet
Locales:  Hong Kong, Bangkok
Odd Villain Trait:  Scaramanga has a 3rd nipple, Nick Nack is a dwarf
Song:  “The Man with the Golden Gun” performed by LuLu

Right on the heels of Live and Let Die and a year later, James Bond returned in The Man With The Golden Gun (MWTGG).   This is the film almost killed the 007 franchise.  I’m sure down the road a reboot or additional film(s) would have eventually been made, but this one almost stopped it dead in its tracks.  A lot of the film’s plot feels very tired and the movie isn’t very colorful regarding its performers and action.  There’s not very much fun to have in this one.

Tuesday, August 28, 2012

Brandon Peters dissects the 007 series part 08: Live and Let Die.


With Skyfall dropping in theaters in just a few months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the eigth entry, with a full review at one of Roger Moore's debut entry, Live and Let Die. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should, as I can only hope for robust discussions in the comments section. Without further ado...

Live and Let Die
1973
Director: Guy Hamilton
Starring: Roger Moore, Yaphet Kotto, Jane Seymour, David Hedison
Rated PG

Names is for tombstones, baby! Y'all take this honkey out and WASTE HIM! NOW!
                                ~Mr. Big (Dr. Kananga)

STATS
Kills: 8 + 1 snake (I’ve always LOVED this.  While smoking a cigar in the bathroom, Bond takes a hair spray bottle and sprays it at the cigar creating a flame thrower to kill the snake)
Bond Girls:  Solitaire, Rosie Carver, Miss Caruso
Car:  Bond drives a double decker bus and a speed boat in this one, no car
Locales:  Harlem, New Orleans, San Monique (fictional)          
Odd Villain Trait:  Tee Hee has a mechanical arm, Whisper is obese and speaks in…yes a whisper, Baron Samedi involved in the voodoo occult
Song:  “Live and Let Die” performed by Wings (that’s Paul McCartney’s ‘other’ band for those who don’t know)

Live and Let Die starts the seven-film run of Roger Moore as 007.  Moore’s first adventure, and Eon’s eighth,   attempts to showcase Moore as a different Bond.  This film takes the franchise and alters the stakes by playing in another genre’s sandbox.  Guy Hamilton returns for his third outing, yet the film is quite different from his previous work in the 007 series until close to the finale.  The film packs plenty of action sequences, but frankly feels a little long.  Three MI:6 agents monitoring the operations of a small island dictator (Dr. Kananga played by Yaphet Kotto)  are mysteriously killed in a 24-hour period.   James Bond is sent to New York to contact with Felix Leiter (David Hedison) and investigate the first murder.  The investigation leads to a connection between a drug dealer, Mr. Big (also Yaphet Kotto), and Kananga.  Bond’s investigations team him up with Quarrel’s (from Dr. No) son taking him from the streets of New Orleans to the island of San Monique where Bond is immersed in a world of voodoo, bayous, tarot and drugs.

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