Skyfall director Sam Mendes will not be helming the next 007 adventure. Why Martin Campbell should return to the fold...

Okay, so Sam Mendes is officially out.  There was rumbling over the last few weeks that Sam Mendes would actual But as of today, Mendes politely bowed out of the running.  He will not return to helm the next James Bond picture following his phenomenally successful Skyfall.  I'm sure I will be but one of a million people offering their thoughts on who should helm the next 007 picture. It's tempting to once again half-jokingly offer up Terrance Malick, Warner Herzog, Sophia Coppola, and Michael Haneke as go-to picks.  But the choice is obvious.  The name is Campbell, Martin Campbell.  He directed two of the very best 007 pictures of the post-Connery era, if not outright ever (it's no secret where I stand on this... Goldfinger can suck it).  He revitalized the franchise twice with two different Bond actors in the last 18 years.  The stain of Green Lantern leaves him in a position of 'needing a hit', and there is no reason to presume he won't knock it out of the park for a third time.  But more importantly, doing the follow-up to Skyfall gives Campbell a new set of tools to play with in the 007 sandbox.  This time he'll just get to play with few restraints, without the burden of franchise rebirth.

Brandon Peters dissects the 007 series part 21: Casino Royale

With Skyfall dropping in theaters in just a few weeks, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the twenty-first entry, with a full review of arguably the best film in the franchise, in terms of pure objective quality, Casino Royale. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it. But just because I'm stepping aside doesn't mean you should. Without further ado...

Casino Royale

2006

Director:  Martin Campbell

Starring:  Daniel Craig, Eva Green, Mads Mikkelsen, Judi Dench, Jeffrey Wright, Giancarlo Giannini

Rated PG-13

Now the whole world's gonna know that you died scratching my balls!

                        ~James Bond

STATS

Kills: 12

Bond Girls:  Vesper Lynd, Solange Dimitrios

Car:  Bond wins an Aston Martin, but the mission gives him an Aston Martin DBS V12

Locales:  Madagascar, Bahamas, Montenegro, Venice

Odd Villain Trait:  Le Chiffre has a scar on his eye and weeps blood from it

Song:  “You Know My Name” pefromed by Chris Cornell

Casino Royale is an absolute masterpiece in the 007 series.  The film is top notch big budget entertainment and one of the best reboot films ever created.  One could argue that this isn’t the first time the series has been rebooted.  Every time a new 007 take the role, it could essentially serve as a new start to the series (minus On Her Majesty’s Secret Service).  Following the ridiculousness of Die Another Day, Eon decided to rid itself of that era and start anew, grounding James Bond and focusing on physical effects and stunts.  What hasn’t been said about this movie already?

The forgotten classic among 007 theme songs...

I've generally stayed out of the James Bond waters of late for pretty obvious reasons.  But as a result of Adele's Skyfall being released, I went back and listened to the previous 007 theme songs, paying extra attention to the post-GoldenEye tunes that I have perhaps only listened to once or twice.  First of all, I take back every vaguely defensive thing I ever said about Madonna's "Die Another Day".  The tuneless, joyless disco chore is every bit as awful as the pundits claimed ten years ago, so mea culpa.  But the next one on the list was Chris Cornell's "You Know My Name" from Casino Royale.  I had only heard the song perhaps once, when I saw the film in theaters six years ago (confession: when I watch the 007 films at home, I usually skip the credit sequences as they do nothing for me and of course are completely disconnected to the  narrative).  So imagine my surprise as I discovered, six years late perhaps, what a rather terrific and catchy kick-ass rock tune Cornell's ditty actually is.  It's firmly in the vein of hard-rock "being a spy is *hard!* tunes from The Living Daylights and A View To A Kill (and arguably Live and Let Die).  It's also the catchiest tune since Duran Duran's "Dance Into the Fire" and stands alongside that camp classic as one of the best pure rock-n-roll songs in the Bond universe.  Anyway, if you haven't listened to it in awhile, sample above.  And consider this a second mea culpa, for not realizing how good this theme was all those years.

Scott Mendelson

Brandon Peters dissects the 007 series part 17: GoldenEye

With Skyfall dropping in theaters in just a couple months, along with the 50th anniversary of the James Bond series, a close friend and fellow film nerd, Brandon Peters, has generously offered to do a comprehensive review of the entire 007 film franchise. Today is the seventeenth entry, with a full review of  Pierce Brosnan's smashing debut (and my personal favorite of the whole series*) GoldenEye. I hope you enjoy what is a pretty massive feature leading up the November 9th release of Skyfall. I'll do my best to leave my two-cents out of it, give or take a few items I have up my sleeve (including a possible guest review from my wife as she sings the praises of her favorite 007 film, you won't believe what it is). But just because I'm stepping aside doesn't mean you should. Without further ado...

GoldenEye

1995

Director:  Martin Campbell

Starring:  Pierce Brosnan, Sean Bean, Judi Dench, Famke Janssen, Izabella Scorupco, Alan Cumming, Robbie Coltrane, Gottifried John

Rated PG-13

Need I remind you, 007, that you have a license to kill, not to break the traffic laws.

                        -Q

STATS

Kills:  25 (estimate)

Girls:  Natalya Simonova, Xenia Onatopp, Caroline

Car:  BMWZ3, however Bond’s casual vehicle is the Aston Martin

Locales:  Monte Carlo, St. Petersburg, Cuba

Odd Villain Trait:  Xenia Onatopp gets off on violence (literally) and can crush a man wrapping her legs around his waist

Song:  “Goldeneye” performed by Tina Turner (written by Bono & Edge of U2 fame)

Other notable song:  “The Experience of Love” performed by Serra

After 6 ½ years removed from theaters around the globe, James Bond reloaded and returned in a big way for GoldenEye.  GoldenEye was a major cinematic event for 1995.  The Berlin wall had fallen and many felt Bond’s legacy should go with it.  It was questioned as to whether the character could remain relevant with no cold war.  Also, debuting in the role of James Bond was Pierce Brosnan, an actor who many had been clamoring to see play this part (and as we all know my mother was one of those people).  Would he be able to live up to expectation?  Could Bond manage to win back audiences and pick back up where he had left off?

How to save the Green Lantern film franchise WITHOUT a reboot...

Word has come down from Warner Bros. that the studio is indeed considering 'rebooting' the Green Lantern franchise after one whiff.  The buzz words are 'dark and edgy', as if every comic book adaptation needs to be as grim as The Dark Knight and/or The Crow.  There is in fact an easy way to keep the franchise alive without the dreaded reboot, without scrapping what's already come.  See, the Green Lantern franchise is unique, and it is precicely that uniqueness that can allow it to start from scratch without actually starting from scratch.  There is only one Superman, a young man from Krypton named Clark Kent.  And, as far as film fans know, there is only one Spider-Man, Peter Parker (apologies to Miles Morales, who may yet do the mantle proud).  But there are about 7,200 different Green Lanterns who patrol the various quadrants of the galaxy.  There is no law saying that a new Green Lantern adventure has to focus on Hal Jordan (Ryan Reynolds).  By simply telling the story of a different Green Lantern, Warner and DC Comics has the freedom to tell any kind of Green Lantern tale they wish without tossing out the first film.

Midnight Box Office (06/16/11): Green Lantern grosses $3.35m in 12:01 showings, heading for probable $61 million opening weekend.

The midnight money is apparently tallied already.  So once again, we have a decent idea of what a major film's opening weekend will be before the first Friday shows on the West Coast even begin.  Fascinating... Anyway, Green Lantern grossed $3.35 million in midnight screenings last night.  That's ahead of the $3.25 million earned by Thor at midnight, and just under the $3.4 million midnight gross earned by X-Men: First Class two weeks ago.  So at this point, it's just a matter of anticipating just how anticipated Martin Campbell's superhero saga is.  It is an original property, so it won't be as front-loaded as X-Men: First Class (which pulled in 6% of its weekend at midnight).  Reviews are pretty lousy (unfairly so in my opinion), which may or may not make a difference (remember, audiences for movies like this generally don't care about reviews).  So basically the question is whether it pulls 5% of its money at 12:01am (like Thor) or 6% of its money at 12:01am like X-Men: First Class.  For the moment, Green Lantern is apparently heading for an opening weekend between $55 million and $67 million.  Let's split the difference, give it a 5.5% midnight take and call it for $61 million.

Scott Mendelson

Review: Green Lantern (3D) is not as great as we had all hoped, but it's not nearly as bad as we had all feared.

Green Lantern
2011
105 minutes
rated PG-13

by Scott Mendelson

I kept waiting... I had read the earlier reviews, which seemed to confirm all of the worst fears stretching back to last November.  But the hate never came.  Martin Campbell's Green Lantern is a deeply problematic comic book adventure, with structural and character development issues that should damn-well have felled the film.  But like its title character, it overcomes its own weaknesses and embraces its inherent flaws.  The picture has signs of tinkering and studio interference.  But it also has several fine action scenes, a strong visual style that feels like a living comic book, and arguably the best 3D conversion yet achieved in live-action.  Oh, and it also has Peter Skarsgaard, but more on that later.  I have no idea how Green Lantern purists will react, but the film as it is  remains a weird combination of ghee-whiz kid-friendly superhero antics and truly disturbing horror elements.  That the film is not quite the triumph we wanted may be tragic.  That the film as it stands works at all may qualify as a miracle.

Another week, another Green Lantern trailer: this one in 3D. Well in theaters it's 3D, here it's just 2D (but with a decent amount of new footage).

Apparently the 3D effects for this trailer looked pretty spectacular in theaters.  That makes me awfully happy, as I really want to see this early but don't want to settle for an inferior presentation.  There is actually quite a bit of new footage here, even if we seem to be seeing much of the finale (including the apparent death of a major villain) right there in the trailer.  There are a few new bits of Reynolds actually doing the whole superhero thing in costume, so that's a relief.  Still, the actual 'Hal makes a glowing green car or a glowing green machine gun' scenes are going to be where dramatic credibility is lost (or absolutely affirmed).  This one has just under a month to go, which means Warner has time for at least a half dozen more trailers.  As always, we'll see...

Scott Mendelson

Hector Hammond added to ongoing Green Lantern poster collection.

Green Lantern gets a second (this time plot and character-centric) trailer.

This is almost anticlimactic after a month that saw a four-minute Wondercon clip and two extended TV spots, but here is the official second trailer for Green Lantern. This clip is obviously much less jokey than the infamous teaser, and it clearly lays out the intergalactic scale and the world-threatening scope of the picture. It also gives some badly needed face time to the human supporting cast, notably Peter Sarsgaard as primary villain Hector Hammand, Tim Robbins as his father, and Angela Bassett as Dr. Amanda Walker. Blake Lively is still being hidden from view as much as possible, which can't be a good sign. The key issue remains the same as the other released footage: next to no actual scenes of Ryan Reynolds in action as the Green Lantern. It's still the same helicopter rescue, gattling-gun scenes that we've seen before. Of course, there's still six weeks to go, with the special effects burden adding $9 million to the budget, but you'd think Warner would want to show off footage of Hal Jordan kicking butt? And I'm frankly a little shocked that we haven't seen what should be the money shot (if it exists): countless Green Lanterns flying through space and/or doing battle with Parallax. As always, we'll see.

Scott Mendelson

Updated: Green Lantern gets extended TV spots, sells cosmic scale to general audiences.

This TV spot ran over the weekend in various high-profile locales. It's 120 seconds long and, unless you're a nerd who looks up Wondercon footage, this is the first you've seen of the film since the disastrous trailer back in November 2010. As such, this extended spot is all about selling the scale of the picture and the intergalactic stakes. And on that note, it is a success. Reynolds is featured prominently, but mainly as an observer. In fact, the main problem with the spot is when the narrative returns to Earth for the last action montage, it feels less impressive than what came before. The only shots of Hal Jordan in action both come from the same scene of him beating up Peter Sarsgaard in a lab. Obviously this is marketing and Warner may be hiding at least some of the third act stuff (we already see what appears to be the death of a major villain) so we can hope that Jordan does more than stop a crashing helicopter and beat up a deranged scientist. I'm still impressed and cautiously optimistic thus far. As always, we'll see...

Scott Mendelson

Now THAT's a trailer. Green Lantern Wonder Con footage.

Lesson to be learned: if you don't have the material for a decent trailer, wait until you do. Warner Bros. shot itself in the foot late last year with a rushed and cheap-looking Green Lantern trailer in order to debut it with Harry Potter and the Deathly Hallows part I. The word of mouth was poisonous and the marketing campaign pretty much entombed itself until this weekend. The guests at Wonder Con saw about ten minutes of new footage, and Warner decided to release four minutes worth. And it's pretty fantastic stuff. Sure, the effects are still work-in-progress and much of the film will likely resemble an animated picture, but... wow. The scope and scale is apparently everything you might want from a Green Lantern space adventure. The vastness of outer-space, the scope of the various alien worlds, the sheer intensity of the opening moments, and the fact that the outer-space menace (Parallax, I presume) actually looks pretty terrifying... I'm officially back on board for this one. It's no secret that I'm a big Martin Campbell fan, and it seems (for the moment) that my faith has been restored. The bad news is that while Allison liked seeing Green Lantern, she was a little freaked out by the last thirty-seconds, so she'll have to stay home on this one. Quite simply, I'm quite impressed and a little relieved.

Scott Mendelson

Green Lantern gets a promising new poster. I believe in Martin Campbell... I believe in Martin Campbell!

Wow! A new Green Lantern still that isn't just a screen-capture from the trailer!!

Nothing much here from Cineheroes, just a clear look at Peter Sarsgaard as Hector Hammond before he turns all big-headed and uber-villanious. Still, it's nice that this a real image and not just someone pulling a still from the trailer and passing it off as an 'exclusive first look!'. Are we really that lazy and/or desperate for hits? I guess so. Anyway, enjoy.

Scott Mendelson

Nobody did it better: Goldeneye, still my favorite 007 adventure, turns 15 years old.

15 years after the fact, it's still my favorite James Bond film. Yes, you read that right. I like most of the Connery pictures (especially From Russia With Love and Thunderball), and I've learned to appreciate some of the Roger Moore entries (even Moonraker is a fast-paced action picture before that final reel set in space). And it's no secret that both Timothy Dalton entries are pretty high on the list. But Goldeneye is still my personal favorite.

Martin Campbell's Green Lantern gets a shoddy, choppy, awkward trailer.

Go here for a high-quality HD version. That was shockingly bad. I don't just mean that the tone was juvenile, the acting overly broad, and the action relatively earth-bound. I mean that this is one of the worst-edited trailers I've seen from a major release in years. The only bits of genuine visual 'wow' is at 1:25, as we see a glimpse of Oa with a token cameo by (I assume) Sinestro. The whole thing feels disjointed and choppy, without any real flow or narrative logic. Hell, for people not familiar with the mythology, the clip is pretty darn confusing to boot. It would be one thing if this were a brief teaser that highlighted the visual 'money shots'. But this is a full 2.5 minute trailer that's mostly set on Earth, and there's not even a token attempt to explain the universe or any of the characters. The effects seem okay, and even the much-derided CGI costume looks okay to me. The action seems a bit larger than Thor, for whatever that's worth. What's most striking about this initial tease is how generic it is. Yet another cocky arrogant young man is tempered by supernatural powers and the awesome responsibility that it brings, but he's secretly afraid of failing. Again, I believe in Martin Campbell. He made two of the very best James Bond films of all-time (Goldeneye and Casino Royale) as well as one of the finest superhero adventures ever (The Mask of Zorro). I'm just not sure how much I believe in Green Lantern. This one touches down on June 16th, 2011 (ironically the spot usually reserved for Batman pictures in 1992, 1995, 1997, and 2005).

Scott Mendelson

Warner Bros shoots self in the foot by offering Green Lantern preview on Entertainment Tonight.

Studios really have to stop premiering footage of their movies on Entertainment Tonight. They can make any movie look cheap and sound stupid. Just stop doing it, people. Either release the thing online a few days before the weekend or just let people sample your first trailer in a theater. I'll offer actual commentary when the actual trailer premieres on Tuesday. Until proven otherwise, I believe in Martin Campbell...

Scott Mendelson

The Mask of Zorro finally arrives on Blu Ray today.

Nearly two years after the Blu Ray release of the less-successful (but still pretty darn good) sequel, The Legend of Zorro, Sony finally feels fit to release the original modern classic on Blu Ray today. It's no secret that I probably love this film more than anyone else on the planet. Heck, it's probably my favorite film of the 1990s and perhaps my all-time favorite superhero adventure. Before I got married, The Mask of Zorro used to be the litmus test. You didn't have to like Batman, Star Wars, Airplane!, or The Silence of the Lambs. But if you couldn't see the obvious quality at work in this Martin Campbell reinvention, then it just wasn't going to work out.

This film is why I'm such a hardcore Martin Campbell junkie. Everything about it just works. The action is full of real stunt work, and it's shot in long, fluid takes. The special effects are mainly practical and you can see the blood, dirt, and sweat on each and every actor. The swordplay is copious and varied. And while the film is pretty violent (especially in the first act), the body count is just low enough for it to be shocking whenever a life is lost (like all Martin Campbell action films, the violence stings and the dead are mourned).

Although there are four major action set pieces, the 135-minute film is long enough to have ample heapings of plot and character development. Even the villain (Stuart Wilson) is given shadings and moments of empathy, and his grand scheme is both brilliant and logical. Eleven-and-a-half years after its release, The Mask of Zorro remains Antonio Bandaras and Catherine Zeta Jones's finest hours, and it contains one of Anthony Hopkins's best performances. If by some fluke you haven't seen this one yet, you now have absolutely no excuse. If you value my opinion at all, you'll buy or rent The Mask of Zorro today.

Scott Mendelson