Review: Immortals (2011) shares the politics of 300, the plot of Clash of the Titans, and negates its worth as 3D spectacle by looking glorious in 2D.

Immortals

2011
110 minutes
rated R

by Scott Mendelson

While Immortals has been advertised as a knock-off of 300, it's actually pretty much a variation on Clash of the Titans through-and-through.  In fact, the only real similarity it shares with Zack Snyder's 2007 blockbuster is its (unintentional?) racism and its rather explicit right-wing politics.  Like 300, the film involves a very white guy (Henry Cavill, who will indeed make a fine Clark Kent in two years) who does battle with another white guy (Mickey Rourke, in arguably better form than he's been in anything since The Wrestler) who is pissed off at the Greek gods because his wife and child slowly died of some unnamed illness.  Fair enough, but at the end of the movie (yes, there will be spoilers, even generic ones...) we get a big (and very impressive) battle between the Greek gods and the evil Titans.  The Greek gods are dressed in gold armor and are as Anglo-Saxon as can be (played by Luke Evans and Isabel Lucas, among others) while the Titans are well, savage humanoid monsters with really dark skin.  So we get a climactic battle between angelic white people and demonic black men.  Subtle...

Weekend Box Office (11/13/11): Immortals surprises with strong #1 debut, Jack and Jill underperforms (for Adam Sandler), Clint Eastwood's J. Edgar opens well.

In what counts as a somewhat pleasant surprise, Reletivity's Immortals topped the box office this weekend with a solid $32 million debut.  Tarsam's highly stylized Greek hack-and-slash action film was sold as a glorified rip-off of 300, which opened with $70 million back in March 2007.  If it needs to be said (because others are indeed whining), expecting Immortals to open as well as the lightening-in-a-bottle 300 (or even Clash of the Titans) makes about as much sense as expecting Percy Jackson and the Olympians: The Lightning Thief to open as well as Harry Potter and the Sorcerer's Stone.  The budget for this one was allegedly just $75 million, and much of that was apparently supplemented by foreign pre-sales.  The film also earned another $36 million overseas, giving it a near-$70 million worldwide debut.  Relativity took a major chance on the picture, fully financing it themselves and selling the heck out of it for at least the last six months.  Immortals received a B from Cinemascore and was heavily front-loaded, earning $15 million on Friday night alone for a pretty poor 2.1x weekend multiplier.  So while the domestic run may be brief, the new distributor Relativity needed to prove that they could open an expensive movie to quasi-blockbuster numbers (it's already their second-biggest grossing movie, behind the $79 million haul of Limitless).  On that scale, mission: accomplished.