Pity... Universal cancels Oblivion's early IMAX release.

Having rather loathed Tron: Legacy, I've had to work myself up in order to get excited about Joseph Kosinski's Oblivion.  Yes, Tom Cruise usually makes sure that his big-scale pictures are a cut above and yes the film looks better with each trailer, but the biggest cause for hope was its release schedule.  The film's national release was set for April 19th, but the film was also going a full week early in IMAX only, giving paying audiences a week-long sneak preview in IMAX and other larger-screen formats.  But alas, that promising move by Universal has been cancelled.  Chalk it up to Cruise wanting to do international press for the film's overseas debut on the 12th and the film's US debut on the 19th, chalk it up to Universal wanting an extra week of play for their 3D reissue of Jurassic Park on April 12th, but audiences will not be seeing Oblivion: The IMAX Experience one week early after all.  Color me genuinely disappointed.

Man of Steel gets its PG-13. Is the high-profile live-action PG-rated film an endangered species?

As of this morning, Zack Snyder's Man of Steel has been awarded a PG-13 for "intense sequences of sci-fi violence, action and destruction, and for some language."  That's not a surprise, as pretty much every major comic book film since Bryan Singer's X-Men has received said rating.  Even if the content seemed more appropriate for the more kid-friendly PG rating, such as I'd argue was the case with Fantastic Four and Thor, studios don't want the potential kiddie-flick stigma that's still somewhat attached to live-action PG-rated films.  Unless you're dealing with fantasy that's somewhat aimed at families, such as The Chronicles of Narnia or four of the eight Harry Potter films, or high-brow family adventures like Hugo or The Life of Pi), it's PG-13 or bust. Part of that is the way in which Shrek turned the PG rating into an acceptable 'for all rages' status for animated films back in 2001.  Part of that is merely the fact that getting a PG-13 doesn't seem to be making parents think twice about bringing their very young children to the likes of Transformers: Dark of the Moon or Pirates of the Caribbean: At World's End.  

Zack Snyder's Man of Steel gets another mythic trailer...

I'm genuinely surprised that they didn't just release the Comic Con footage as a second trailer, but kudos to Warner Bros. for cutting something new anyway.  There's not much to say other than how primal and effective this is.  Obviously the use of soaring music (from Gladiator, I've just been informed) is almost cheating, but it's clear that Snyder and Nolan are going for a genuinely grandly epic tale of a God come to Earth to serve rather than lead.  I still think there is much that seems like it comes from Superman: Birthright, and that's a good thing.  I still like that the trailer spends little time on the usual 'action montage', giving away only bits and pieces while introducing both Amy Adams as Lois Lane and Michael Shannon as General Zod in brief glimpses (along with Chris Meloni, Richard Schiff).  Anyway, this is still at the top of my 'must see' list for summer 2013.  Yes, the general outline arguably follows the Batman Begins template (overly reverent and real-world origin story), but more importantly we are hopefully looking at a superhero adventure by way of Terrence Malick, something that actually feels like a grand myth, a true story of legend, with pathos honestly not seen since, yes, Richard Donner's Superman.  And it's doing it without the iconic John Williams themes.  Man of Steel opens on June 13, 2013.  As always, we'll see, but I frankly can't wait.

Scott Mendelson

Paramount attaches Star Trek Into Darkness IMAX sneak to The Hobbit, screws over Warner Bros. yet again.

Paramount just loves using IMAX to screw with Warner Bros.  For the third time, Paramount has put Warner Bros. in a somewhat awkward position.  As you recall, three years ago a scheduling conflict between Transformers: Revenge of the Fallen and Harry Potter and the Half-Blood Prince left the sixth Harry Potter picture without IMAX screens for the first two weekends of its run.  The loss certainly didn't hurt the box office much (HP6 was the first HP sequel to cross $300 million domestic), but it was an embarrassing scheduling snafu.  This time last year Warner Bros somewhat shot itself in the foot by allowing the IMAX preview for The Dark Knight Rises to premiere in front of 'true IMAX' prints (about 40 screens) of Paramount's Mission: Impossible: Ghost Protocol even as the film opened in limited IMAX release against Warner Bros' Sherlock Homes: A Game of Shadows.  Again, no real harm, no real foul, although the fourth M:I picture got tons of free publicity that otherwise would have gone to Sherlock Holmes 2 had *it* been the only place to see new The Dark Knight Rises footage.  Warner Bros did Paramount a favor last year and it seems that it's payback time.  Ironically said payback will end up hurting Warner Bros yet again. 

Trailer Analysis: Man of Steel gets a cryptic and real-world teaser from of the Batman Begins school of marketing.

Old news, for sure, but I was on vacation last weekend and then returned home to find my son had a stomach bug (he's fine now, natch), so I'm only now getting around to this teaser (and a couple other trailers of note.  As you all surely know by now, Warner Bros. released two teasers attached to The Dark Knight Rises this weekend, one with voice-over provided by Pa Kent (Kevin Costner) and the other by Jor-El (Russell Crowe).  While the intitial response was that Zack Snyder is basically making Terrence Malick's Superman: The Movie, the truth is that this initial teaser is merely emulating the play book of Batman Begins. Please watch the first teaser for Batman Begins after the jump and then we'll continue.

Scott Mendelson

Zack Snyder's Man of Steel gets a teaser poster.

Zack Snyder's Superman reboot, Man of Steel, just premiered its teaser trailer at Comic Con and the reviews are mostly positive, with the somber, large-scale drama being compared to Terrence Malick.  Since the teaser premiering with The Dark Knight Rises is said to be pretty similar to what the SDCC attendees saw about an hour ago, I'll refrain from commentary until I can post the actual teaser (I'm hoping-against-hope that Warner screens said teaser before my Tuesday night Dark Knight Rises IMAX press screening). So yeah, here's the dark and moody poster.  Looks fine to me, but it's just a poster and we'll know more once we all get to see whatever it was that set Comic Con aflame.

Scott Mendelson

Why those 'dumb kids who thought Titanic wasn't real' stories don't mean a damn thing other than serve as an example of our own generational snobbery.

"Oh no!", shouts America.  There are kids on Facebook and/or Twitter who didn't realize that James Cameron's Titanic was based on a true story!  Obviously this is a prime example of the dumbing-down of America and proof that educational standards in America have hit rock-bottom, and that kids today just don't have an appreciation for history.  All of those things may be true, but what I see is less an example of dumbed-down kids than an older generation once again shocked... SHOCKED that today's kids don't care about the same things we care about.  First of all, let's presume for a moment that someone didn't extensively surf Facebook or Twitter and find a dozen or so messages that had kids expressing astonishment that Titanic was a real ship that really sank in 1912.  Assuming that the examples in question are enough of a sampling to imply that a decent number of kids don't know about early 20th-century passenger vessel sinkings, so what?  I'm sure every single one of you who are up-in-arms about this can deliver a five-minute historical report about the sinking of the Lusitania way back in May of 1915.

Weird summer 2013 release date silliness leaves two summer events in the wrong slot. Why Jurassic Park 3D and Man of Steel should play musical chairs.

As somewhat expected, Universal announced today (via Jeff Snyder of Variety) that they would be releasing Jurassic Park in 3D next summer, in time for the film's 20th anniversary.  Fine, whatever, I'm sure it will look just as 'eye-poppingly' cool as The Phantom Menace did earlier this year (read - not at all from reliable sources).  The 20th anniversary of Jurassic Park is indeed somewhat of a milestone, as it was one of the last old-school blockbusters, a genuine word-of-mouth sensation that played in theaters for over a year and whose domestic and international dominance paved the way for the modern four-quadrant tentpole.  It was also the last notable hit film to actually play for longer than six months or so (Titanic played for around six months), as it came around just as the second run theater business was dying.  But this isn't about waxing nostalgic for Steven Spielberg's epic dinosaur horror adventure.  This is about the beyond weird release date.  The film is not opening on June 14th, 2013, which would approximate the 20th anniversary of its June 11th, 1993 theatrical debut (when it became the first film to score $50 million on its opening weekend).  Instead it's opening on July 19th, 2013.  So what's opening on June 14th, 2013?  Well Zack Snyder's Man of Steel, of course!  So let me get this straight.  Jurassic Park can't open on its actual 20th anniversary because that slot is taken with Warner Bros' Superman reboot.  So instead Universal is opening on an empty weekend that was once Warner Bros' prime summer opening weekend slot for six straight years.

An official photo of Henry Cavill as Superman in Zack Snyder's Man of Steel.

It's so nice to see these things first as they were intended to be seen, as opposed to some grainy photos shot by paparazzi or what-not... Anyway, it's obvious that Warner Bros. is keen to reassure fans that this Superman is more of a bad-ass than the previous big-screen incarnations.  We're looking at something less like Christopher Reeve/Brandon Routh and more like Tim Daly/George Newell from Superman: the Animated Series and Justice League.  I haven't written much about the film, as I did not have time to write a blurb every time a piece of high-profile casting was announced.  Unlike most people, I really liked Zack Snyder's Sucker Punch, so I'm actually expecting this to be a good movie.  Even if you don't like his last film, the action scenes were unarguably incredible and just the sort of large-scale heroics we want to see in a big-budget Superman picture.  Furthermore, from what little we know about the story, they seem to be taking chunks from Superman: Birthright, which is EXACTLY what I suggested they do early last year when this project was announced.

Warner Bros. moves Man of Steel to June 14th, 2013. NOT July 19th, 2013!

In what I guess you could call breaking news, Warner Bros. has announced that they are moving Man of Steel (ie - Zach Snyder's Superman film that seems to be based on Superman: Birthright) from December 2012 to June 14th, 2013.  What's shocking is not that the film is being moved (it is apparently being tinkered with at the screenwriting stage), but that Warner is not moving it into its favorite mega-release date, which in this case would be July 19th, 2013.  For those who came in late, a brief history of Warner's favorite weekend:  It started in July 2007. For, among other reasons, a sense that the fifth Harry Potter film would benefit from a release date close to the release of the seventh and final book, Warner Bros. slotted Harry Potter and the Order of the Phoenix to open on Wednesday, July 18th. It grossed $44 million on that first Wednesday and ended up with $139 million over the first five days ($77 million of that from Fri-Sun). Despite being released in the summer (where Harry Potter and the Prisoner of Azkaban ended with a series-low gross of $248 million) and being based on arguably the worst book in the series, Harry Potter and the Order of the Pheonix ended up with $293 million, becoming the highest-grossing Harry Potter sequel yet released at the time.