Showing posts with label Chris Pine. Show all posts
Showing posts with label Chris Pine. Show all posts

Thursday, March 21, 2013

Star Trek Into Darkness gets another weirdly generic trailer.

Isn't Star Trek supposed to be about star trekking?  Ya know, exploring strange new worlds, seeking new life and new civilizations, and possibly going where no man has gone before?  This may look like a decent action thriller, but it also feels like a painfully generic adventure that happens to be painted in Star Trek paint.  Benadict Cumberbatch shows up, Cumberbatch commits several acts of terrorism, Kirk goes after Cumberbatch.  I sincerely hope there is more to the story than that and there may very well be.  But what we've seen so far suggests the film boldly going where any number of sequels have gone before.  And, if I may, why oh why couldn't Paramount wait until next weekend to debut this with G.I. Joe: Retaliation?  Anyway, Star Trek Into Darkness opens May 15th in IMAX 3D and May 17th elsewhere domestically.  As always, we'll see...

Scott Mendelson  

Saturday, March 9, 2013

Star Trek Into Darkness gets an action-packed new trailer.

The only spoiler bit is at around 1:02, where Captain Pike has some facial scars that I don't recall him having at the end of the first Star Trek (he was of course seriously injured, but I don't recall scarring). Perhaps Pike gets those scars when Cumberbatch escapes from his glass prison at the halfway mark, because "He planned to get caught the whole time!". Otherwise, this is a quick (78 seconds) and breezy action-packed trailer.  It's nice that they aren't focusing as much on Benedict Cumberbatch's mystery villain (I have a theory on that, broached by a friend of mine and backed up by what we've seen thus far, but I'm not sharing in case I'm right) and also showing off that the film isn't all gloom and misery this time around. The initial trailers tried to sell the film as a generic 'dark sequel' or The Dark Knight meets Skyfall meets Revenge of the Sith.  This new trailer plays in the Return of the Jedi/Tron sandbox with phasers set for swashbuckling adventure. 

Sunday, February 3, 2013

Star Trek Into Darkness gets a Super Bowl tease and (more intriguingly) a two-day early IMAX release.


Okay, so having Kirk ask who Benedict Cumberbatch is and having the villain merely answer "I'm better... at everything" is just being obnoxious, although I appreciate the subtle dig at those dying for confirmation about who he's playing in this sequel.  The rest of the tease is pretty much standard 'dark sequel' boilerplate, and I can't wait for someone to eventually cut together a super-cut of scary villain interrogation scenes with Joker, Loki, Silva, and whoever the hell Cumberbatch is playing, in turn followed by a supercut of their magnificent and meticulously planned escapes  ("He's been planning this for years!"  "He planned to get caught!" "He wanted to hit us where it hurts!").  What's interesting is the news that the film will debut on IMAX 3D two days ahead of its planned May 17th national release.  I wrote way back when that the successful five-day sneak release of Mission: Impossible: Ghost Protocol would start this kind of thing, and it appears that I was right.  Tom Cruise's Oblivion is getting a full week of exclusive IMAX play and Skyfall of course opened a day early in IMAX.  Now Skyfall made a whole $2.5 million on that Thursday, so we're talking more about word of mouth than actually amassing major IMAX bucks.  Still, the early sneak release means that Paramount is playing long ball, arguably sacrificing a shot at the Fri-Sun record books (however unlikely) for a chance to get the word out before the weekend even begins.  It's a promising strategy and one that also implies that Paramount has confidence in the product and/or will be having long-lead press screenings for critics more important than myself.  I'll still get the All-Media at worst, but I sincerely hope that Paramount actually screens this for press *in* IMAX, unlike nearly every major theatrical release from 2012 save The Amazing Spider-Man and The Dark Knight Rises.

Scott Mendelson

Monday, December 17, 2012

Star Trek Into Darkness gets a very generic 'sequel' trailer.

Oddly enough, I did not see this trailer with my Friday afternoon showing of The Hobbit: An Unexpected Journey.  Now that I've seen this trailer, what do I think?  Well, it looks pretty solid.  Yes it still feels like we're following the 'dark sequel' template, almost as if it's in a Mad Libs book.  Yes we get not one ponderous 'character arc in a monologue' speech but two ponderous 'character arc in a monologue' speeches.  I could say that once again the film is being marketed as "The Dark Knight but Star Trek-style", but I think that's almost too easy of a label.  But the film both looks pretty epic in scope *and* seems to involve quite a bit of, trekking across various stars.  They do seem to be teasing both references to Wrath of Khan and a major character death. 3.5 years ago, I pegged Chekov (Anton Yelchin) as the likely 'killed off halfway through character, and the fact that Yelchin's star hasn't exactly risen since only adds credence to said theory (that we see him in a red shirt when Pike is monologuing about Kirk's arrogance getting his friends killed doesn't help).  Anyway, this looks somewhat like generic sequel 101, but it still looks awfully entertaining.  As always, we'll see, in this case when Star Trek Into Darkness drops on May 17, 2013.  What are your thoughts on the above trailer?  Do share below...

Scott Mendelson

Monday, December 10, 2012

New Star Trek Into Darkness image evokes serious deja vu....




 Gee, I wonder if Benedict Cumberbatch intentionally allows himself to get captured in the second act as part of a devious multi-pronged plan to escape and cause havoc in the very lair of his enemies?  Will said post-capture/pre-escape sequence also allow Cumberbatch to monologue about how he and Kirk and/or Spock really aren't that different, that their apparent control is merely an illusion, and Kirk and Spock are foolish for supporting governmental institutions that will discard them once they outlive their usefulness? We'll see soon enough, but don't bet against it!

Scott Mendelson

Thursday, December 6, 2012

Star Trek Into Darkness gets a very 'Dark Knight' teaser...



I don't know if this qualifies as a teaser for a trailer, but since this seems to be a complete piece in-and-of itself, I'll let it slide.  Obviously the scope looks huge, but jeez how badly do J.J. Abrams and company want to market this as The Dark Knight of Star Trek films?  From the 'I'm going to shake you out of your comfort zone!' monologue from the lone bringer-of-chaos villain to the Inception/Dark Knight trailer music, it's humorously clear what the marketing template is.  Of course, if the film turns out to just be 'making a Nolan Batman film, but with Star Trek', that may be an issue (Star Trek generally hasn't faired well when going 'dark/gritty'), but for now let's presume that it's just Paramount marketing.  Of note is the second Japanese teaser, which includes an additional final shot that A) may be very very spoilery and B) ends the teaser on a more potent musical note.  Watch at your own risk, although I can't imagine a film as top-secret as this one (we still don't know who Cumberbatch is playing) would tease something that major in the first piece of marketing.  Anyway, the full teaser-trailer will be attached to The Hobbit: An Unexpected Journey on December 14th and Paramount is keeping it offline until December 17th, which would be cooler of them if they hadn't just released this online-only teaser.  And of course the 9-minute IMAX tease will be attached to IMAX prints of The Hobbit.  Star Trek Into Darkness (still an awful title, natch) opens May 17th, 2013.  As always, we'll see...

Scott Mendelson

Monday, December 3, 2012

Star Trek Into Darkness gets a very 'Chris Nolan' poster.

When I wrote 3.5 years ago that Paramount hoped that the inevitable Star Trek 2 would "pull a Dark Knight", I didn't realize how literal I was apparently being.  Coupled with the teaser trailer attached to The Hobbit: An Unexpected Beginning and a 9-minute IMAX sneak peak attached to IMAX prints of same, this first teaser poster shows Paramount is copying the Chris Nolan Dark Knight playbook to a tee.  Snickering about obvious similarities aside, this is a very stylish and impressive poster.  It's the first official glimpse at Benedict Cumberbatch as 'He who has not yet been named', with implications that he does score a big win at some point in the picture.  So yes, it's a poster in the vein of the last three Chris Nolan films.  But  that doesn't mean it's not a very effective piece of marketing and/or art.

Scott Mendelson

Sunday, November 18, 2012

Review: Rise of the Guardians (2012) is a stunning disappointment, with little substance, no character.

Rise of the Guardians
2012
97 minutes
rated PG

by Scott Mendelson

Rise of the Guardians is an astonishing exercise in generic storytelling, with so little new to bring to the narrative plate that even a morsel of good ideas can't save it from tedium.  I can't speak to the source material, but the film amounts to a high concept idea ("What if the various holiday mascots formed a superhero group?") where no more imagination was offered after the initial pitch.  The story is basically a Mad Libs team-superhero origin story, where we follow a new recruit into a new world and learn the mythology through his eyes.  That the story shamefully rips off the first X-Men is less of a problem than the heroic cohorts having almost no discernible characteristics beyond their costumes and holiday-related duties.  With paper-thin characterization and no real surprises in the offering, Rise of the Guardians amounts to a mostly dull effort that diminishes both big-budget animation and superhero stories at the same time.

Sunday, February 19, 2012

Weekend Box Office (02/19/12): The Vow and Safe House fend off Ghost Rider: Spirit of Vengeance and This Means War.

It was yet another 'photo-finish' at the box office over this President's Day weekend, but as always, it's the hard numbers rather than the arbitrary rankings that matter.  But since we need to decide which movies to discuss first, in order we shall go!  For the moment, it appears that Safe House will top the charts in its second weekend after barely missing the top slot last weekend.  It grossed $23.9 million over the Fri-Sun weekend and $28 million over the holiday.  Safe House will have grossed $82 million by Monday, a rather huge total for Mr. Washington.  In just eleven days, Safe House is Washington's 7th-biggest grosser, out-grossing such films as Training Day ($76 million), Man On Fire ($77 million), and Unstoppable ($81 million).  Barring a complete collapse, Safe House should become Denzel Washington's fifth $100 million grosser over the next weekend, with an outside shot of eclipsing the $130 million gross of American Gangster, which is currently his top grosser.  While we can debate how much credit co-star Ryan Reynolds gets for this one (he certainly didn't hurt...), Safe House is already his fourth-biggest grosser and will likely out-gross Green Lantern's $116 million total in a few weeks.  I'm frankly shocked at the strong legs for this one, as it's certainly one of Washington's worst genre entries in a long career with a number of solid adult-skewing action pictures (it looks like it was shot through a puke filter and edited in a blender, plus the script is so generic it could have been written in a Mad Libs book).  Still, star-power is a rare thing these days, and Denzel Washington clearly has it.  

Thursday, October 13, 2011

Mc G's This Means War trailer is emblematic of what's wrong with marketing.

There is nothing particularly wrong with this trailer per-se.  It's neat to see Tom Hardy in a comedy, Witherspoon looks stunning, and the general plot (two CIA agents clash when they realize they are dating the same girl) is fitfully amusing.  But here's the problem.  In the first 66 seconds, we meet the two spies (Hardy and Chris Pine) and the young woman they are both dating (Reese Witherspoon).  We establish the conflict, toss off a few jokes and, with the opening action montage, establish that this will be a pretty big-scale action comedy.  So, after about 1:06, we have all we need.  Flash the title, maybe give a button gag, and then fade to black.  The remaining 85 seconds merely exist to spoil gags from the film.  And since we've established that this is a pretty expensive movie, it's pretty much guaranteed that the film will only have maybe half-a-dozen or so major 'give-and-take' moments between the two would-be suitors.  The trailer sees fit to spoil three of them, plus a major action sequence between the two male leads.  So basically all that is left for the movie to do is reveal whatever gags weren't in the trailer and reveal the finale*.  How wonderful would it have been for 20th Century Fox to merely leave the majority of the movie to our imagination, to merely cut to black at the 1:06 mark with the satisfaction of perfectly setting up the movie without actually giving anything away past the first twenty-minutes or so.  Alas... Anyway, McG's This Means War comes out February 17th, 2012 (better to capitalize on Valentine's Day) and as always, we'll see.

Scott Mendelson

*SPOILER GUESS --- I'm guessing that either Witherspoon gets kidnapped by the bad guys in the third act or (especially since she gets first billing) she turns out to be a spy using them for intel.  

Sunday, November 14, 2010

Weekend Box Office Review (11/14/10): Megamind repeats, Unstoppable opens strong, Morning Glory underwhelms.

Megamind was at the top of the box office for the second (and final) time this weekend. The second super-villain animated film the year took in another $29.1 million. The 36% drop was less than the 41% drop for Despicable Me's second weekend (which was $32 million), but the latter had $118 million by day ten while Megamind has grossed $88.8 million at the end of its second weekend. Among other Dreamworks titles, Megamind had a slightly higher second weekend than How to Train Your Dragon ($29 million), but it lags $3 million behind in ten-day totals thus far. Megamind is chasing the $198 million total of Monsters Vs. Aliens. It's $15 million behind after two weekends. Whether it approaches the $180 million gross of Madagascar 2 or the $155 million final take of Over the Hedge is a matter of how well it can withstand the blinding white heat of Harry Potter and the Deathly Hallows part I.

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